Dusti Rodes

2014-03-04 12:00 am

Strange Times

Yesterday, while painting the south-facing picket fence in the searing heat of the afternoon sun, my back was burnt to blisters. My hair took on the texture of dry matted straw and was bleached a further two shades of blonde through the holes in my faithful ol' hat.
Today, I'm waiting for the water in the kettle to come to the boil in order to make myself a cup of skinny latte and the heat from the two bars of the toaster doing the bread seems to be warming the whole scullery. The rain, driven by a whistling wind, continues to batter itself against the panes that yesterday shone with the reflections of rippling sunlight.
We are indeed living in strange times!

Dusti Rodes (2007)

Dusti Rodes

2014-03-04 12:00 am

From 'Fixin' Fences & Paintin Pickets


It’s all very well having a south-facing postage stamp sized front yard. Picturesquely encompassed by a white picket fence. But that makes the prairie outback a north facing wilderness that requires a multitude of feather-board panels six feet high by eight feet wide to prevent range wars with my neighbours. And after nigh on nine years now, they need painting.
There's only one thing really wrong with this place in my opinion. The layout of the land.
It's They say that there is something therapeutic about hand-painting fence panelling with a four inch brush. Long stroke up, long stroke down. Never side to side. Time spent alone with your thoughts. Having the opportunity to be able to meditate and commune with Nature. Well, after nearly three days of trying I for one haven't found what it is yet!
Having spent most of the day sorting out the two compost bins, causing friends and family to hastily stand upwind of me whilst in conversation, I finally started my self-appointed task late Saturday afternoon. At the time the warmth of the Spring sun made the job a pleasant one, and even aided the drying process!
But Sunday ... well, that was a whole different ball game!
As I have said, the back area is North-facing. At this time of the year the sun doesn't get to most of it till much later in the day. so while to all intent and purposes Sunday's weather was beautiful, I spent most of my time shivering in the shade. And as for yesterday, Monday to you mere mortals, it was that cold all day that the brass monkey that had kindly offered to give me a hand had to have two emergency welding repair jobs!
Come about three o'clock when I finally finished painting the interior of the fencing, all I was fit for was getting to a HOT shower in order to stave off hypothermia which I am sure had started to set in previously! When I was telling a friend about how bitter the weather here had become, she aptly described me as a 'human icicle'.
All I've got to do now is start on doing the outside of the fence!
Oh, Happy days!

Dusti Rodes (2007)

Dusti Rodes

2014-03-04 12:00 am

Jazz Duellin'


"Some people spend their whole lives, and not hear the sounds stored insides 'em. Forgits the notes, jist plays the music.
We's alls gots 'em. Black notes, white notes, notes that's been done stretched, even bent ones. Theys orl ins there.
It's hows youse use 'em, that's the trick! Whethers you beats 'em, till they is blue; or you coaxes them out gently likes fine wine from a bottle, it's up to youse. Some folks puts 'em in orders that mosts don't even finks of! And that's olrights too. It's up to youse. Jist gotta finds your own ways o' makin' 'em sounds... It's orls I kin tells yer..."


He hadn't played the piano in a long time.
Disillusioned, downed by the drugs,
That ran riot in the community and company that he kept.
He had drifted away.
Somewhere. Anywhere.
But there.
Harlem could frighten even the strongest of souls.
And he'd never claimed to be that.

They called him Cajun.
A remnant of time spent in New Orleans.
The honky-tonks, the seedy bars and the backroom bordellos,
That he had often frequented while down there,
In what seemed now like a hundred life-times ago.

But he was back in the old neighbourhood.
He'd come for the funeral.
One of only a few true people,
He could call friend.
Word spread like wildfire, as it does in these times,
That he was back in town.

At the graveside some of the old crew ambled over to him.
Asking the usual stuff.
How's he doing and the like.
Told him they were holding the wake at Creole's Place that night.
And would be sure pleased to see him there;
The brother being a friend and all.

When he walked into the Place that night,
He was greeted by a sight he had almost forgotten.
The air was thick with the smell of stale beer,
Rotgut rye whiskey and weed joints.
The lights, they were turned down real low.
But people saw him standing there,
And still took the time to say hello.

He hadn't even been nowhere near a piano,
In a long while.
They had seen to that.
Six years in the slammer cramps a man's style.
Lithe fingers, gone fat.
The used-to-be so supple sinews now taunt.
He flexed 'em.
They fought back.

The spotlight on the stage area,
Reminded him of those damned searchlights,
That had sent their searing shafts of light skyward.
Cutting into the darkness outside his cell,
Night after night.
Robbing him of the only escape available,
To the inmates of the hell-hole.
Where he had been incarcerated .... Sleep.

Creole, the 'Fatman', on bass fiddle,
'Bleedin' Lips' Murphy, blowing blues horn.
'Skins'Duval, up there on drums.
The Fatman called out, coaxing for him to come up on the stage.

Most folk never really hear the sounds inside them.
But some can't help but create,
The music they were born to make.
Cajun was one of those.
He hears the roar rising from the void within.
Like a volcano.

Molten music,
Stirring deep in the depths
Of his frame.
That must come to the surface,
Like lava, straining to escape the confines.

A piano is made of wood 'n' wires.
Hammers big and small.
Ivory keys that need gentle,
Or sometimes even firm coaxing;
To give their best or better.
To some, it's just a piano,
A boxful of sounds.
A mechanism for making music.
For others, like Cajun,
It's an extension of the soul.

The drums, they spoke something.
Grumbled, mumbled low.
Real low.
The fiddle responded with a taunt strain.
The horn blew for all it's worth.
The note long and very low down.
Somewhere deep, deep in the depths.
They were having a conversation,
Wanting Cajun to join in.
To leave the safety of the shoreline,
And strike out for the deep water.

Then Creole started beating the box,
With his waxed bow.
Stacking the blues.
Coaxing, urging, Cajun to take up the thread.
Waiting for him to do things on the keys,
That showed he was wading in the water with them.
And Cajun answered them all.
With authority.

The dialogue became a monologue.
The piano was doing the talking now.
All everybody could do was but listen.
In awe.
The riffs and licks spoke with an urgency.
They told of places,
That none of the others had ever been to.
Describing pain, that few else had ever felt.
Diving to depths of despair,
Unplumbed by mere mortals.

But Cajun had been there.
Seen the sights.
And he was telling everyone.
That which he had experienced.
Reliving the roller coaster ride,
That his life had been so far.
And he took all those,
Gathered there, that night.
On the journey.


Dusti Rodes (2007)

Dusti Rodes

2014-03-04 12:00 am

The Camden sessions

I'd observed it for a while,
His developing love affair,
With the long-necked lady.
Pretty in pale blue,
Adorned in silver,
Shining like the stars.

The gentle coaxing to obtain
Audible verbal response.
The warm embraces,
Fingers firmly plying
Intimate places.
To go where no-one
Had ever been before.
Or since.

Alvin Lee?
Oh, yeah, he was good,
But he wasn't Smokin'.
Fastest fingers alive,
In my opinion.
Eric Clapton?
Rightly deserved the title,
Slowhand, in comparison.
And what Hendrix stole
From Smokin's skills
Is another story, completely.

Long gone midnight,
Silently sitting, slouched,
On the sofa.
Jist jammin' the blues.
Echoes from deep down,
In the Delta, reverberating.
Needing no artificial amplification,
Electric or otherwise,
To portray the genius.

Rampant riffs,
Luscious licks,
Complex chords,
Paranormal phrasings.
Rumour has it that
Robert Johnson,
Did a deal with the Devil,
At the crossroads.
Some say so must have Smokin'.
There is no other way,
That he could play,
Like that.

But I know the truth.
He was gifted by God.
And forty years on,
I still feel humbled,
And very honoured,
To have heard the musical magic.
Performed nightly in Smokin's front room, 
for an audience of one.


Dusti Rodes (2007)

Dusti Rodes

2014-03-04 12:00 am

A Modern day Cowboy.

 " But signor, if he is the best,
 With the Gun, AND the Knife;
 Then with whom does he compete? "

 " With Himself ...."

 ( Scene from the film - The Magnificent Seven )

 Perfoming with puppets,
 Plied from papier mache.
 Drafting drawings,
 Scribbled from sketches.
 Making models,
 Worked from wood.
 Crafted from clay.
 Moulded meticulously
 In metal.
 Pummelling putty,
 And plasticine.
 While leaving puddles
 Of Plaster of Paris.
 Working with words,
 In a wonderful way.
 That continues to paint
 Personal pictures,
 Framed in people's minds.
 Potter, Puppeteer,
 Painter and Poet.
 Writer & raconteur,
 Teller of tales.

Dusti Rodes (2007)

Gord

2014-03-01 12:00 am

The wheels of progress stand idle;
Men stand idly by while smiling;
Politicians planning kingships while
Kings devising the downfall of the talking;

My wheels fly dragging the ground behind them;
Idle hands will be chopped off desires;
Deny this and fate is brought to the light while dying;

Crying relatives will not rebut the sounds of the choir;
Desires are heard, disregarded and bound to the sire;