Dusti Rodes

2014-03-04 12:00 am

Jazz Duellin'


"Some people spend their whole lives, and not hear the sounds stored insides 'em. Forgits the notes, jist plays the music.
We's alls gots 'em. Black notes, white notes, notes that's been done stretched, even bent ones. Theys orl ins there.
It's hows youse use 'em, that's the trick! Whethers you beats 'em, till they is blue; or you coaxes them out gently likes fine wine from a bottle, it's up to youse. Some folks puts 'em in orders that mosts don't even finks of! And that's olrights too. It's up to youse. Jist gotta finds your own ways o' makin' 'em sounds... It's orls I kin tells yer..."


He hadn't played the piano in a long time.
Disillusioned, downed by the drugs,
That ran riot in the community and company that he kept.
He had drifted away.
Somewhere. Anywhere.
But there.
Harlem could frighten even the strongest of souls.
And he'd never claimed to be that.

They called him Cajun.
A remnant of time spent in New Orleans.
The honky-tonks, the seedy bars and the backroom bordellos,
That he had often frequented while down there,
In what seemed now like a hundred life-times ago.

But he was back in the old neighbourhood.
He'd come for the funeral.
One of only a few true people,
He could call friend.
Word spread like wildfire, as it does in these times,
That he was back in town.

At the graveside some of the old crew ambled over to him.
Asking the usual stuff.
How's he doing and the like.
Told him they were holding the wake at Creole's Place that night.
And would be sure pleased to see him there;
The brother being a friend and all.

When he walked into the Place that night,
He was greeted by a sight he had almost forgotten.
The air was thick with the smell of stale beer,
Rotgut rye whiskey and weed joints.
The lights, they were turned down real low.
But people saw him standing there,
And still took the time to say hello.

He hadn't even been nowhere near a piano,
In a long while.
They had seen to that.
Six years in the slammer cramps a man's style.
Lithe fingers, gone fat.
The used-to-be so supple sinews now taunt.
He flexed 'em.
They fought back.

The spotlight on the stage area,
Reminded him of those damned searchlights,
That had sent their searing shafts of light skyward.
Cutting into the darkness outside his cell,
Night after night.
Robbing him of the only escape available,
To the inmates of the hell-hole.
Where he had been incarcerated .... Sleep.

Creole, the 'Fatman', on bass fiddle,
'Bleedin' Lips' Murphy, blowing blues horn.
'Skins'Duval, up there on drums.
The Fatman called out, coaxing for him to come up on the stage.

Most folk never really hear the sounds inside them.
But some can't help but create,
The music they were born to make.
Cajun was one of those.
He hears the roar rising from the void within.
Like a volcano.

Molten music,
Stirring deep in the depths
Of his frame.
That must come to the surface,
Like lava, straining to escape the confines.

A piano is made of wood 'n' wires.
Hammers big and small.
Ivory keys that need gentle,
Or sometimes even firm coaxing;
To give their best or better.
To some, it's just a piano,
A boxful of sounds.
A mechanism for making music.
For others, like Cajun,
It's an extension of the soul.

The drums, they spoke something.
Grumbled, mumbled low.
Real low.
The fiddle responded with a taunt strain.
The horn blew for all it's worth.
The note long and very low down.
Somewhere deep, deep in the depths.
They were having a conversation,
Wanting Cajun to join in.
To leave the safety of the shoreline,
And strike out for the deep water.

Then Creole started beating the box,
With his waxed bow.
Stacking the blues.
Coaxing, urging, Cajun to take up the thread.
Waiting for him to do things on the keys,
That showed he was wading in the water with them.
And Cajun answered them all.
With authority.

The dialogue became a monologue.
The piano was doing the talking now.
All everybody could do was but listen.
In awe.
The riffs and licks spoke with an urgency.
They told of places,
That none of the others had ever been to.
Describing pain, that few else had ever felt.
Diving to depths of despair,
Unplumbed by mere mortals.

But Cajun had been there.
Seen the sights.
And he was telling everyone.
That which he had experienced.
Reliving the roller coaster ride,
That his life had been so far.
And he took all those,
Gathered there, that night.
On the journey.


Dusti Rodes (2007)

Dusti Rodes

2014-03-04 12:00 am

Ode to Martha

 My muse, a Harridan hag?
 I don't think so!
 Some have familiars, in the shape of cats.
 Others have Spirit Guides,
 Which are Red Indian warriors.

 I don't do all that PC stuff,
 And say they are Native North Americans!

 Me? My muse is a wizened old woman.

 I was killing time, standing outside the Hospice shop,
 Waiting for my watch repair to be ready.

 One split second she wasn't there, I swear, 
 The next she was!
 She appeared from nowhere, I'm telling you!

 The encounter with the woman in the grey shawl.

 It took just ten minutes that was all.
 But it will last a lifetime.
 Mine.

 Was it real, or was it a dream?
 Was she a witch or a wraith?
 Merely a ghost or a gregarious goblin, 
 In disguise?

 The situation certainly had all the makings of a mystery,
 And all the trappings of a thriller.

 The people I tell just stare at me strangely.
 Who wouldn't? I ask myself.
 I'd probably do just the same,
 If it wasn't for the fact,
 That it had happened to me.

 She came from the North, or so she said.
 Irmerston is a name I recall her using.
 More than once.
 Or was it that she had relatives there?

 Was I really 'touched by an angel'?
 There was definitely ' a laying on of hands',
 As in the biblical sense.

 Could this have been an encounter of the Fourth kind?
 Hebrews thirteen has a lot to answer for.

 She said she was eighty five.
 And had been a Mormon since she was forty.
 But in some lights I would have sworn she wasn't yet sixty.
 In others, she had a face that had seen more than a thousand summers.

 I've heard of shape-shifters,
 I never thought to meet one.

 Many say I talk at tangents, 
 And maybe they are right.
 I do waffle on a bit.
 Never keeping to the same subject for long.

 Fleeting thoughts,
 Forever fluttering,
 Like a butterfly in its short life span.

 Over the last couple of years,
 The diagnosis of my chronic atrial fibrillation,
 Has caused me to consider my life expectancy.
 And to realise it may be seriously shortened
 At any time in the near future.

 But she spoke confidently and authoritatively,
 About longevity.

 Quoting several incidences of people living to a good age.
 Katherine Hepburn living to a hundred.
 Her long relationship with Spencer Tracy.
 And made it sound so matter of fact,
 That Katherine had given him a cup of tea,
 Shortly before he finally died.
 It was as if she had been there at the time.

 Her opening gambit had been to draw my attention,
 To a boxed set of Frank Sinatra records.
 Displayed in the shop window.

 As I intimated earlier,
 I'm sure I was alone outside that shop.
 And the sound of her speaking to me had startled me,
 Into realising she was standing beside me.

 She started by saying Frank had a daughter, Nancy.
 And a son, Frank Jr.
 She talked about his Mafia connections.

 When I retorted that rumours were rife,
 During all of Sinatra's life.
 But that he had never publicly admitted to the allegations.

 She intimated that the reason being was,
 That Frank had not actually done anything 'bad' so to speak.

 At that moment, she gave me the distinct impression,
 That she might have known him and his family intimately.
 But how could that be?

 I was becoming afraid of the enormity,
 Of the developing situation.
 So I made my excuses to leave,
 And she let me go wishing me well.
 We parted.
 Me going my way, she hers.

 I picked up the watch from the menders.
 It must have taken all of two minutes.
 When I suddenly realised the terrible mistake I had made,
 In cutting our conversation short.

 I began searching the town.
 Shop by shop.
 Each individual lane up and down.
 But to no avail.
 Seeming she had disappeared the same way she arrived.
 Suddenly.

 It wasn't till I was on the bus travelling home.
 Feeling thoroughly desolate.
 That I heard her voice again.

 But this time it was different.
 She was inside my head, talking to me.
 She said artists, of all kinds,
 Needed inspiration from time to time.
 And she would be mine, if I let her.

 I know now I made a mistake,
 I thought I was her 'mark' in the town,
 And she was just getting ready to put the sales spiel on me,
 To buy her that expensive bottle of sherry.
 That she said was the only one that she drank.

 She'd talked about many things,
 And how everybody had vices.
 Drugs, booze, cigarettes etc.
 She said how hers weren't too bad.

 Just a tipple now and again of the sherry,
 That could be bought in Tesco's.
 (Which had been across the way,
 From where we had been standing)
 At nine pounds a bottle.

 Here we go, I'd thought,
 Here comes the pitch;
“Hard times 'n' all, for an old lady.
 You seem a nice person,
 Could you see your way clear to buying me a bottle, maybe?"

 This is why I had up and ran.
 But instead, here was she offering me the gift!

 Some writers have residencies. I am hers.

 Where we will go from here, is any body's guess.
 Just watch this space!
 But I do suggest you don't waste your time,
 Standing outside the Hospice shop,
 In the vague hope she might just amble along.

 Because she's mine,
 And I'm keeping her!

 Dusti Rodes (2006)

Gord

2014-03-01 12:00 am

The wheels of progress stand idle;
Men stand idly by while smiling;
Politicians planning kingships while
Kings devising the downfall of the talking;

My wheels fly dragging the ground behind them;
Idle hands will be chopped off desires;
Deny this and fate is brought to the light while dying;

Crying relatives will not rebut the sounds of the choir;
Desires are heard, disregarded and bound to the sire;