what sleeps in the forest beside the highway? what lays its small head on dismembered takeout boxes and curls up beneath plastic bags emblazoned with ‘thankyouthankyouthankyou’? does it give thanks for small polyurethane luxuries? for the refuse it calls its refuge? what feeds on the grease and fumes from the roaring mechanical parade? does it lick its lips afterwards? what learns to cross the glimmering cement - first timidly, then wanton and triumphant after practice? what watches? what does it notice? what emerges from the forest beside the highway, large and lumbering, to repay the generosity of its benefactors in kind?
The bar too low, A life in limbo. Civil man elicit, Dance too rigid. Cancer, victim, Lance too frigid. Is life another rhyme? Saved for another time, or just a bunch of lies? Head and shoulders, Knees and hipbones. But does god see soles, Planted into the beach? How does god see souls, Managed funds and stealing? While reaching into homes, to take his piece? A plastic man, made for shelves, Laughs filling his fantastic needs.
Plastic bags to carry Milk in plastic jugs Plastic bags of cherries Plastic plates with plastic cups Milk in plastic jugs From a plastic bin Plastic plates with plastic cups No plastic bags to put them in From a plastic bin Groceries with no papoose No plastic bags to put them in Markets say it's bad to use Groceries with no papoose So we can heal the prairies Markets say it's bad to us Plastic bags to carry
Walk ambles beyond, Talk stumbles upon, To write another poem, Ideas like a fawn. Appealing siren song, My pen misguided, My Ken to Barbie, A life, component plastic, Abdomen firm, mind naught, Opponent, you cage her, For I cannot.
Rhetoric plastic, poetic, exhausted, flat, Writing financial, desperate, jotting of man, Jotting of women, writing like Hopkins' cat. Knocking, hawking, a life exhausting. Like a bat, man wishing to live robin, Honor lacking, yet adapting cotton. Promises not lacking, action falters, River flows, close your eyes, Wake up to another life.
Poster of an omen, toking, Dreaming by a plastic ocean, Most fast forward, hopeful; King of post, tasks chosen, Still lives Midas, hands golden. Lapland where they dig holes, Smoke weed and dance poles, Kings of the foal, antsy, cold. The older they grow, though, He loses his power, cowers, Curses feeling, eats pantry. Banishes his people of necessity, Carelessly manages feeble himself, Paddles the plastic ocean, relieved; Departs common and flowers nothing.
Poster of an omen, toking, Dreaming by a plastic ocean, That most fast forward, hopeful; King of post, tasks chosen, Still lives Midas, hands golden. Lapland where they dig holes, Smoke weed and dance poles, Kings of the foal, antsy, cold. The older they grow, though, He loses his power, cowers, Curses feeling and eats. Banishes his people of necessity, Carelessly manages feeble himself, Paddles the plastic ocean, relieved; Departs common and flowers nothing.
Letters written of nonsense, Inner conflicts, profits, Constantine of outfits, Proud of their holes. Opposite, of continents, Sinkholes, swallowing, Mere weathering problems, All they do is disclose. Imagine a world insolvent, Overpopulated and cold, Where fistfuls of dollars, Are better off. Plastic like the ocean, Poetic hopeful, Scotland. Politically motivated, Heart emplaced. However honest, lies of fate, One defends an idea flagrant, Upon a hill of nothing sacred, Fairness being the continent. Unless one wishes a life content, In a country of many ferrets.
Foreign art plastered, Partizan attitude mastered, World politics blunt, Our pastor burnt, Along with his frontage. Decorum not fantastic, Sheets plastic, drapes plastic. Their hearts taken, affront, Given pacemaker suns, Along with fromage, Some 21st century love.
Reflections on the demise of a Neighbour Everywhere here Is full up with junk That isn't really so. The building of a couple's lifetime. These possessions that are left Are all there is to show. The winged ducks Pots and pans Brooms and mops The crystal decanter with its glasses Projector and screen Slides taken of foreign mountain passes Planes and trains Books on stone polishing, birds, gardening and roses Videos and stills of Formula One heroes Transfixed in winning poses Sewing machine, curtains Cups and saucers Things that should have been handed on To beloved sons and daughters That never materialised. The log box, embellished in brass Figures of snails and owls Made in Caithness Glass Squirrels, dogs and hedgehogs Porcelain men and women Music boxes that play tunes While in the cutlery drawers Fish knives, glass rolling pin Even silver apostle spoons The collection of records, cd's and tapes Recorded by artistes, many long gone A multitude of stereos and tape decks To choose to play them on. Clocks and timers Wallets and watches TV and twin tub Clothes airer and spin dryer Pencils, pens and paper (by the ream) Plastic bags in all sizes Enough for several lifetimes Drills and saws Fishing tackle Fly, sea and coarse Full blown sou'wester sailing suit And around in the garage Long wader boots An iron gate Wrought with his own hand All serve to measure The mark of the man. Dusti Rodes (2004)
Postcard from Spain The deep blue Med, Bleeding red, With green seaweed. Ten thousand immigrant flies, Travelling in on the wings Of the Sirocco; From north Morocco. The power of the Siesta Sun, Making the sand in my shoe hot. Luscious lips, not bruised Neither battered nor burnt, Grappling with grapefruits. Paradise Beach, Paraded with parasol palms; Waves breaking On a wind-kissed shore. I may be bathing later, I am still not sure. A lone bathing beauty, From the Lone Star state, Ear to the phone. Southern Belle; Listening to Western Bell. Had to go and see My mountain, Standing stark In darkest Dakota. Aqui,Casas de Lujo. Here, Luxury Houses. Cornish Cream, Mandarin Palace. Urban graffiti In an idyllic setting. Perfect paradox. Jet plane trucking Leaving tyre tracks In the bright blue sky. Sun-kissed shingle. Sitting on a man-made rock, The sea has shaped To blend in with the shoreline. Concrete clusters; Indistinguishable, From indigenous icons Seaweed green, but yesterday, Bleached red, By the unforgiving sun today. Granite granules, Marble monolinths. Sculptured saline symbols. Yellow bouys bobbing, Effortlessly. Looking like a line of sweet corn, Positioned precariously On a willow patterned plate. To my right, A multitude of people, To my left, A hundred more. But I sit here, Surrounded by the solitude of silence. Alone, with only my thoughts, For company. 'Cept for the gentle breeze, Whispering words of untold wisdom. Gleaned from eons of eavesdropping, On its many invisible travels Around the globe. The unseen listener of many conversations, Keeper of Confidences, Storer or Secrets, Librarian of Lies, Treasurer of Truths. Spreading the gospel of God, By the Mediterranean Sea. I went away And wrote. Warm winds, Helicopter hovering, Gentle gyrations. Drenched dog, Bedraggled by brine. Dappled writing, Caused by the sun Through the brim Of my hat. Beach-combing bum, Scouring the shoreline, With a plastic bag, because of the hole In my pocket. Gone is the moment For forced photography, A thousand photos, But only one picture. Stranger on a foreign shore, Leaving only footprints In the sands; Taking nothing But memories. Beached rowboats; Wooden rafts, Made from discarded Wine crates. Dusti Rodes (2002)
A Modern day Cowboy. " But signor, if he is the best, With the Gun, AND the Knife; Then with whom does he compete? " " With Himself ...." ( Scene from the film - The Magnificent Seven ) Perfoming with puppets, Plied from papier mache. Drafting drawings, Scribbled from sketches. Making models, Worked from wood. Crafted from clay. Moulded meticulously In metal. Pummelling putty, And plasticine. While leaving puddles Of Plaster of Paris. Working with words, In a wonderful way. That continues to paint Personal pictures, Framed in people's minds. Potter, Puppeteer, Painter and Poet. Writer & raconteur, Teller of tales. Dusti Rodes (2007)