I want to release. A rhyme about nobody, With no honest remarks, With no peace, For the days passed, I have lived, Learned regret. I am the reason for myself. Nobody makes my bed, If I don't make it for myself, The Sophist; The Thoughtless Beast.
A cell is the only home I've ever known, Ad hominem, myself, let you down, I know. A child dreams of life in a home, with love, Only way of attaining goals is selling drugs. My father was a bad influence growing up, His father was a bad influence, when he was growing up, Now that I've grown up, I've decided to be one myself. The Phoenix Rises again, To be condemned to a cell.
I transform retribution, I collide with an enemy, Destined for fusion, Corroding my memory, Crashing the computer, That is me. I open on pretense false, In hopes to gain my loss, Yet no fate goes uncrossed, No face goes on unmarked, No bullet grazes, They self aim and kill marks. In honesty, I hope for their retribution, Not believing what you do, I find no institution for truth, Investigations reveal soot. To conceal boots under sock. Truth should be implied, Secrets shouldn't even be whispered, When no secret knock is employed. Among Imperials, two faces clash, Destroying the child middle, Purpose born was to protect class. Among the tyrants, A sleeping dog, His brother opposite, A sleeping god, Purpose forlorn and meaning lost. Shoot the gun across, regardless, Trees grow from the river, Implying a garden should exist. Yet at the bottom I find no solace. No mythical beast of which to conquer, Nor mythical flower of to tame beasts. So no feast among mythical followers. Sewn feet no longer bother to move. Brooms no longer even bother to sweep. I see Cost front by the citizen, Expected which are also to clean. Past participle's partisan cuts so cleanly, No partisan is left opposite to thee. Clearly, No god laughs, Sincerely, No god falters, And no human shots cast, Except into human carnage. No gain for loss, No pyrrhic victory, Due course. No force of sympathy, homeopathy, anthropology, from the horse. No, mostly poor choices. Voices ringing with phones dead. No voices in his head, Scream morality. of course. No soldier gains a victory. sans cost. None recognize the courage, of Hailey's comet. So the gunfire blazes onward. Amongst the slain, are the slain. Those who shoot have bullets same. My Deschamps is but modified Spinoza, Which I modify to fit in holster, As exactly as I imagined her, Far above a reasonable caliber. For a man who lacks resources, For as a woman he lacked chorus, Pestilence amongst the formal courtships. How do we create such a melody? Such harmony of utter melancholy. How do we classify such insanity? Such discourtesy on our society. Such, bullets access and exit quickly. Thus is the mark of beasts. Thus a heart no longer beats. Almost lack of mention was lack of faith. Remembered and forgotten to become same. All lost the castles of old days, Only sandcastles remain standing, Reminder of temporary management, Of how well that pays. I depart to vent, Find myself post-traumatic, I start to mention, Find myself post-dramatic, I mark myself bent, Find myself post dragging. Hoping to move forward, Forgetting that lost in battle. I sigh, I realize that's not possible. I stand purportedly screaming peace, Screaming bullets purportedly corpse. I stand in face of uproarious force, Screaming should-haves, Scoring for would-have, Who now will manage. Tired, I cast aside, Casting stones seems now juvenile. Especially in a world this finite, Who needs to choir for killing time? Button press' jest as being less vile, Truth as masked chide, Who now will bandage?
How do we create such a melody? Such harmony of utter melancholy. How do we classify such insanity? Such discourtesy on our society. Such, bullets access and exit quickly. Thus is the mark of beasts. Thus a heart no longer beats. Almost lack of mention was lack of faith. Remembered and forgotten to become same. All lost the castles of old days, Only sandcastles remain standing, Reminder of temporary management, Of how well that pays. I depart to vent, Find myself post-traumatic, I start to mention, Find myself post-dramatic, I mark myself bent, Find myself post dragging. Hoping to move forward, Forgetting that lost in battle. I sigh, I realize that's not possible.
New day intrinsically. Prone intrinsic sleep, A world so strange, It mocks the sane, Or so it seems to be, As two arrange for three, Plan the day, Hours wane, So one can live in peace, Intrinsic wake so suddenly, Search for cables in a rage, Time is locked away. Twenty minutes after three, Moon falls soon from the trees, Longing for to stay, Now not time for play, I clean myself and peace, Work for eight or so at least, Bike home, Bus if there is rain, Smoke a bowl then meditate, One by one prepare the feast. Deranged I aim to vaguely please, People bitching in my face, Keeping up a steady pace, Intrinsically return to sleep, New days for eternity.
Yawn, A boring thought, Moving on. Blah, The time we've fought, Force mignon, For nei' were strong. Plod, Reason/not, Such are battles, Which we ought, Discard to dogs, Trained to chew them. Humdrum, Through coral caught, Stone filled satchels, Path danger fraught, Mind's a fog, Not mad at you though, I'm only mad duly. Doldrums, I wish it would stop, I'm mad at myself, For letting this rot, I'm not just licking frogs, My croak at the moon shows, I only care truly, If you care about you. Pedestrian, Living life at the top, Panopticon cell, And fuck is it hot, But we sit writing songs, I croak at the moon slow, We make a pair fool-ly, Sympathetic, Two lives out of tune, At different ends of the spectrum, Beauty ensuing. Apostates to our parents' dreams, Too old for pride, But maybe peace. We'll love in long strides, A boring thought, Despite defeat, We still move on, Lows bolstering highs, Finding new regimes.
If you think, You are probably failing; The system designed, For Confusion. Mass sanity waning, Or so I find, Mass devolution, Mass losing of minds. Give me death or give me liberty, To build dreams out of my reveries, To deny myself to occupy, 'Til all of land is free, 'Til land taxes aweigh, Streets still paved and cleaned. If you think, They are probably hailing, Controlling your mind, With delusions. If you are training, To think 'Occupy', That's mass prostitution, Truly controlling your mind. Give me death or give me liberty, To build dreams out of my reveries, Tell them at a campfire, How good it feels to breath, When I fly above the trees. It's not awake to think, The only way to stay cosane, Dream vast absurdities.
I'd strike out the sun for harming sinews, This service I'll pay myself as a fine, Enlarger of kingdom if ever I die, 'queathing my soul for the roar of a lion. I giveth thee lukewarm blood of a newborn, God my appetite; I hunger for power. Shrew Lord of perpetual night liveth nigh, Covered from danger in half-lighted fog. Co-sign and write before bloodlines congeal. Our magic will bring desolation to smog. Fill the lines afore 'why?' and 'oh sigh' Flog grace and damnation 'till three parts combine.
I dip a dapper super chicken tender; It's Super Tender !, but whatever; I'll forget tomorr'a with bongs and reefer; I'll find myself on a floor 400 dollars poorer. I'll master this lifestyle by vascect'ing myself; Then I can curl into a ball and I won't come in my mouth.
Memories of Menorca The solitary star The lone gull Lack of light dark and deep Guarded by the lion-dog In two-tone green and black and white Part Chihuahua, part Pekinese. Sunrise over Citudella Purple and pink Blues and browns Age old ruins Built of rocks That are tumbling down. Out of the stillness Came a rustle The wind whispered "Morning" Gull winging, effortlessly Sparrows busying in their daily task Of feeding their families. No different from other mere mortals Who stand and observe Through peephole portals On life below and above. Pylons, all in a line, Taking power to the people. John Lennon would be proud. Illuminated cars, kerb crawling At dawn's half light; Wondering whether to switch off As it is no longer night. To hell with sunrise Watching the clouds come up, Shrouding the stars With their whiteness From the deep dark blue Of Menorcan night. An old boy, reminds me of myself, Lone party goer, maybe? One hell of a walk From Cala Forcat After our session at Night Fever. Sun rises over Citudella And Cala Blanes. Rabbits running, Ants busy, busy; Relaxing perhaps, For a jam sandwich Carelessly cast away. Before the heat forces Them to siesta, On a Menorcan morning At the end of June. A lone songbird, Chortles its wakeup tune; My bag, bathed in Menorcan sunlight Casting shadows of strangest hues The old currant bun Promising a day of brightness. Painted by light, In Nature's brightest colours, The single rock on the lawn Looking like a monolith From eons past. A donkey, braying, Radio, playing People, singing, And speaking in Spanish. Then, Rick Astley, In English. Never going to give you up. Menorcan memories. Dusti Rodes (2002)
A Day in the Life I Morning Up early for a Sunday The clock says eight But even that's late For what we have to do And where we've got to be Breakfast hastily eaten A schedule that has to be beaten The taxi comes just on time The clock strikes the half nine The train will leave at ten So we have to be there then II In a railway waiting room People sitting Waiting for the train Some just there To get out of the rain The sun is starting To shine now Making the outlook Better somehow The fire Glows brightly Offering security In its warmth There must be a hike Somewhere By the amount of people Going there Dressed in their anoraks And their boots A passing express Gives warning toots Waiting for the train To friends Still far to go Before our journey ends Although having already Come this far Still there are miles To be travelled By car Sitting patiently, waiting For the train Marking time To the pouring rain III A ride through the countryside At our destination We are met Commiserations Hoping we did not get Too wet Outside the station They had parked the car Comfortable seats Our journey Not to mar We are off Through the countryside Making quite a pleasant ride Of our quest To the coast Never really deciding Which we prefer the most Ever onwards We are drawn Towards the outskirts Of Eastbourne IV Eastbourne Eating eggs Hard boiled Liver sausage sandwiches Cheese and ham Fried sausages Oranges too What a sight For people to view Throwing stones Into the sea Stopping to watch The tide roll in Then a walk Along the pier Perhaps to stop For a cool glass of beer Buying ornaments Made of glass Playing the games That made us laugh Throwing balls Into walls Listening to the radio In the warm Then on again It was said Towards the crags Of Beachy Head V Beachy Head Climbing up To the Bell Tower Pausing to view A lonely flower The long climb Winding a few The breathlessness Well worth the view On looking out to the sea So calm One could scarce believe It could do so much harm Then suddenly The gunshots Warning us of the coming rain So we quickly make our descent again The rabbit droppings In the tufted grass Is the sight I remember last The gulls wheeling On the wind Showing aerial acrobatics That Man will take A thousand years To conquer VI Newhaven When the tide Is full in It is a facade To walk along The esplanade At Newhaven For the angry waves Batter the man-made wall Persistently trying To make it fall Spraying Unwary travellers With showers of stones And the flying Sea spray That rusts Even the lamp posts Within a month The road to the west This is our quest Pass the ox-bow lake On the river That meanders Through the open fields Filled with Sweet smelling air The road takes us Past the harbour Where, the ' Chichester Star ' Lies anchored there Moored at her rest VII Brighton The Palace Pier On a Sunday Even in March Full of people Having fun Some lie on the beach Catching the sun That hides Behind the clouds Of the rain-filled sky But here we do not stay Perhaps I'll return Some other day The time has come Not to linger Drawn ever onwards By a wandering singer Dressed in sandals And in jeans Singing songs of the Changing scenes Sentiments felt By myself He did quote. He sang, Whilst I wrote VIII Shoreham Dark, dank and dismal Grey and grim Stands the power station The side, the day-tripper Does not see The squalid surroundings Of the industrial side Where the rubber factory Takes the coke works For its bride There, beside a mountain Of metal scrap Stands a fellow In a cloth cap Surrounded by Carcasses of cars Burnt out By long cold fires Wasteland covered With prickly briars Rubble strewn around Sweet papers, magazines Stones cover the ground The road carries on Pass the gasworks To playing fields Where people sit watching Others using their energy To a useless end A steel girdered bridge Spans the road Along by which The river still flowed IX Worthing Having high tea In the lounge Sardines, rolls Tea and toast Watching the sea Leave the coast Playing the pin machines With pennies Reading the paper To find the news Desperately needing To use the loos Off on our trek again Running from the Fast oncoming rain X Half a league ..... Destination somewhere In the west Selsey, probably At the very best Time, like the tide Rolling on Light of day Has nigh nearly gone The lights burning Along the road Turn from the palest pink To shimmering gold Eve draws on Darkness, soon to follow A level-crossing That isn't so level In fact, the road Looks like more of a bevel The road becomes Winding and long Making us remember The young minstrel's song Following the line Of cat's eyes Broken only By the sound of sighs A solitary star Guiding us, as of old The weather becoming Increasingly cold The long boring night Is broken By the bright lights Of the big service station At Crawley Say as they might To me, the most welcoming sight Was that of The Thorns pud At Horley Liquid refreshments For parched dry throats Although there was nowhere To hang our coats Having once Quenched our thirsts The road leads on To Billinghurst Then on down Cowper's Lane Just as it starts Again to rain In the comfortable warmth Of her home We are again Free to roam Tea for three And one for coffee Arguing who'll get to eat The very last toffee Onwards then, Homeward bound The car really seems To leave the ground Till the lights of Croydon Are encountered And as we are at our door " It was fun, we must do it more!" The two of us Climb the stairs Once again To all our cares Very quietly Into bed Nothing more It has all been said. Dusti Rodes (1975)
Feeding Fish Standing somewhere, Feeding fish. Fairground freaks, Probably won't last Two weeks. A memory span Of less than seven seconds Or so they reckon. Why do they call them goldfish? When one is orange, And the other is brown; Swimming up and down, Around and around; As though their lives Depended on it, As it does. What have we got in common? I ask myself. Standing somewhere, Feeding fish. Fairground freaks, Probably won't last Two weeks. A memory span Of less than seven seconds Or so they reckon. Why do they call them goldfish? When one is orange, The other is brown; Swimming up and down, Around and around; As though their lives Depended on it, As it does. Dusti Rodes (2011)
Strange Times Yesterday, while painting the south-facing picket fence in the searing heat of the afternoon sun, my back was burnt to blisters. My hair took on the texture of dry matted straw and was bleached a further two shades of blonde through the holes in my faithful ol' hat. Today, I'm waiting for the water in the kettle to come to the boil in order to make myself a cup of skinny latte and the heat from the two bars of the toaster doing the bread seems to be warming the whole scullery. The rain, driven by a whistling wind, continues to batter itself against the panes that yesterday shone with the reflections of rippling sunlight. We are indeed living in strange times! Dusti Rodes (2007)
Ode to Martha My muse, a Harridan hag? I don't think so! Some have familiars, in the shape of cats. Others have Spirit Guides, Which are Red Indian warriors. I don't do all that PC stuff, And say they are Native North Americans! Me? My muse is a wizened old woman. I was killing time, standing outside the Hospice shop, Waiting for my watch repair to be ready. One split second she wasn't there, I swear, The next she was! She appeared from nowhere, I'm telling you! The encounter with the woman in the grey shawl. It took just ten minutes that was all. But it will last a lifetime. Mine. Was it real, or was it a dream? Was she a witch or a wraith? Merely a ghost or a gregarious goblin, In disguise? The situation certainly had all the makings of a mystery, And all the trappings of a thriller. The people I tell just stare at me strangely. Who wouldn't? I ask myself. I'd probably do just the same, If it wasn't for the fact, That it had happened to me. She came from the North, or so she said. Irmerston is a name I recall her using. More than once. Or was it that she had relatives there? Was I really 'touched by an angel'? There was definitely ' a laying on of hands', As in the biblical sense. Could this have been an encounter of the Fourth kind? Hebrews thirteen has a lot to answer for. She said she was eighty five. And had been a Mormon since she was forty. But in some lights I would have sworn she wasn't yet sixty. In others, she had a face that had seen more than a thousand summers. I've heard of shape-shifters, I never thought to meet one. Many say I talk at tangents, And maybe they are right. I do waffle on a bit. Never keeping to the same subject for long. Fleeting thoughts, Forever fluttering, Like a butterfly in its short life span. Over the last couple of years, The diagnosis of my chronic atrial fibrillation, Has caused me to consider my life expectancy. And to realise it may be seriously shortened At any time in the near future. But she spoke confidently and authoritatively, About longevity. Quoting several incidences of people living to a good age. Katherine Hepburn living to a hundred. Her long relationship with Spencer Tracy. And made it sound so matter of fact, That Katherine had given him a cup of tea, Shortly before he finally died. It was as if she had been there at the time. Her opening gambit had been to draw my attention, To a boxed set of Frank Sinatra records. Displayed in the shop window. As I intimated earlier, I'm sure I was alone outside that shop. And the sound of her speaking to me had startled me, Into realising she was standing beside me. She started by saying Frank had a daughter, Nancy. And a son, Frank Jr. She talked about his Mafia connections. When I retorted that rumours were rife, During all of Sinatra's life. But that he had never publicly admitted to the allegations. She intimated that the reason being was, That Frank had not actually done anything 'bad' so to speak. At that moment, she gave me the distinct impression, That she might have known him and his family intimately. But how could that be? I was becoming afraid of the enormity, Of the developing situation. So I made my excuses to leave, And she let me go wishing me well. We parted. Me going my way, she hers. I picked up the watch from the menders. It must have taken all of two minutes. When I suddenly realised the terrible mistake I had made, In cutting our conversation short. I began searching the town. Shop by shop. Each individual lane up and down. But to no avail. Seeming she had disappeared the same way she arrived. Suddenly. It wasn't till I was on the bus travelling home. Feeling thoroughly desolate. That I heard her voice again. But this time it was different. She was inside my head, talking to me. She said artists, of all kinds, Needed inspiration from time to time. And she would be mine, if I let her. I know now I made a mistake, I thought I was her 'mark' in the town, And she was just getting ready to put the sales spiel on me, To buy her that expensive bottle of sherry. That she said was the only one that she drank. She'd talked about many things, And how everybody had vices. Drugs, booze, cigarettes etc. She said how hers weren't too bad. Just a tipple now and again of the sherry, That could be bought in Tesco's. (Which had been across the way, From where we had been standing) At nine pounds a bottle. Here we go, I'd thought, Here comes the pitch; “Hard times 'n' all, for an old lady. You seem a nice person, Could you see your way clear to buying me a bottle, maybe?" This is why I had up and ran. But instead, here was she offering me the gift! Some writers have residencies. I am hers. Where we will go from here, is any body's guess. Just watch this space! But I do suggest you don't waste your time, Standing outside the Hospice shop, In the vague hope she might just amble along. Because she's mine, And I'm keeping her! Dusti Rodes (2006)