Pond upon oceans, A death of water, Little men upon thrones, Their hearts of flower, My life but a tome, My life a tower; Stairs to climb, With life inactive; Above the clouds, Time spent sunburnt, Cowards; My designs immaculate, Eating flies as flax, Confusing images, In place of facts. Again the future lost, Pipes accost the ground, The ice storm comes; Some go into town, Some stay lost, Together same, Both die apart.
The man who no longer revolves, dies forever, And likely has not an iron in hand. The rest who fail and die inside, May just simply live again, Never despondent with desires availed. The man who lives forever, Will likely has his own gold, Iron is for tamed men who grow old, Only eventually to desire again, Living to a disappointment, Skeletons cannot draw the river, Not like when they were avoidant. The young men and the boys, They know little of that facts, Floating through existences, They decide to decide kings later, Their desire is to act now. Electors hired, They enact cowards, Politicians raised powerful, Their children decide values. Perhaps our good times could be spent apart, Instead of lying and backstabbing one another.
Cherish what little time we have, they say. Politics among the coursework for the day, Perhaps the housework can justify a stay, Though setbacks can justify means to create. The weed, it stays dope, We changed though, Peering through grass, We see our hope. Not one being persecutor, But blame to the group. Fire and flames on a hoop, Would not you jump officer? Or frame up and shoot?
A cold man prays for food. A fed man prays for heat. The rest pray obsolete, Needing very little. Pittance and a needle, Praying a life discrete. Peering through sheets, Never seeing sunlight, Only what cannot be, and the divine.
Is There One? One shall arise from the midst of these, yes these, these little ones who have watched their parents hung, strung as ornaments on trees, yes these even, in 2016. Then their are those without future hopes due to broken homes, these that have been led my mainstreams, instead of being led to mend broken bones, these that say "keep you voice in tone". But I say fear no the word alone. For when through the spiritual you roam, the heart, mind, body and soul will fill gaping holes, allowing pens to flow freely into places that pencils can't go. But then there are these who pose, posing in a still stance engulfed with frowns of hatred because they just don't understand and so their actions scream, "HEAL THIS BROKEN LAND!!!" And this has become their native tongue, crying out for the guidance of the ONE! Please is there one? Look into the eyes of those that have died before the age of five, those that wear hearts of black and blue art, with mental repetitious records rapidly playing the age old song why,why,why? Why do we experience sacrifice before we experience life? Like Christ? Why such a cost for these before they learn t be at ease? Maybe, maybe the world is impregnated by crazy and is on the verge of raising yet another baby? Maybe, maybe the man in the mirror reflects hatred because he hates himself? Maybe, maybe he can't accept kindness because he's been denied the knowledge of his own true weath, the knowledge his own true self. And then there are these who are lost without cares dragging along the heaviest wear and tear, with the deadliest raging flare, but tarry not along the road of destruction, because destruction is in the eye of the beholder, but the beholder beholding many self inflicted wounds and self inflicted wounds can easily spell doom! And then there are these who are serving high stations that need fine replacements! These that have been exposed by their blood drenched tongue, that on self unknowingly and knowingly told. Yes we know these. But sometimes and even one times these can be we. And now I see many spirits lost in the overwhelming shadows of IT'S beaming light, spirits claiming underdeveloped knowing as the source of their plight, and so it hurts me to SEE, Yet even still one shall arise from the midst of these yes these, these little ones who have watched the parents hung strung as ornaments on trees, One such as me. Is there one? Dangerous Soul Life Justan "Potential" Mitchell
Twilight of the twelve queers; So twisted and obscured. We act as though we understand them; Though with fear. Twelve steers led by a steer. In twelve straight abstractions. A beast walks without ears. Travelling wayward through swelled sounds, Unable to hear. Walking billions upon billions of miles to see; Infinitude of the spheres.
Voice 1 [name] lies slain, with no equal, Peerless upon the battlefield; No sword could cleave, No arrow shot could find peace, Only freedom. Now only the beast remains free, Feasting upon our arrows' fleeting; Damage so immense, I see no fleeing, Alas, only further death. Voice 2 Begone, for I fear not cancer. [name] does not meet demands; Will being not to die as asked of. Voice 1 Cannot a voice reach thy ear? Cannot a man be slain by sword, Common for the man of little fear? A million miles lies between us. Voice 2 My man does not fight to falter, Nor sing songs of issue paltry, Yet, alas, at last I hear him not. Only cheers of men which he fought. Voice 1 exits.
If you're called queer, but you aren't a gay, If you rub beards with the same fag, Maybe my lips are cleft, Might be my lazy eye, My sexuality is wild. Pharrell: Come dirty it up! I take off all my clothes, Prepare for masturbation, Acting all casual, Prepare an invitation, Ask her for licks and spanks too, No, No, No, Don't want to rape her, No, No, No, Men satisfy my anger. That's why I'm giving gay life a whirl, Not genderphobic, But you wouldn't know it, I'm afraid to show it, But I want girls, But I let guys blast me, My face gets nasty, All covered in man skeet, I'm talking bad times. Not genderphobic, You wouldn't know it, I'm afraid to show it, But I want girls, But they won't grab me, If I do they slap me, Gave up and got past it, Pharrell: Come dirty it up! Why do I dream poor? My life never screams fun, I spend nights on YouPorn, Used to all this dick in my face, Somebody fuck me, Oh, oh, oh, Who wants to fuck me? Oh, oh, oh, Smoke dimes, Come fuck me. I take off all my clothes, Prepare for masturbation, Acting all casual, Prepare an invitation, Ask her for licks and spanks too, No, No, No, Don't want to rape her, No, No, No, Men satisfy my anger. That's why I'm giving gay life a whirl, Not homophobic, But a little bit dope sick, AIDs epidemic, Got me all butt hurt, On which sex I should marry, Not based on who loves me, I'm talking a party, I'm talking bad times, Not homophobic, But a little bit dope sick, Let's hope I don't get, Stuck without girls, Or without laughing, At a guy that's jacking, Me off in his panties. Pharrell: Come dirty it up!
Complacency, A transformative lyric. Appear differently, Every time you see it. Feel questions, Appearance less glee, It just gets to me, Questions my career: Rhyming a chair, with chairs a little less green.
Dill pickle chips, I find them delicious. If I could find a fault, a little more salt. Then they would be where sweet chili heat is.
Dwelling in the desperate, Hermitage of my heart, Life is apparent, Yet it appears to be not, As it seams, Cupid's eyes blinded by cloth yards, Shooting at places unseen, And all the arrows' arc, Landing on me, Heart changing by second, Changing more in between, This Cupid gone blinded, Young, fat little fiend, Now days pass idyllically, Lost in the breeze, Days Simon Iff spends searching the trees, His goal has been set, Simple Simon sets free, Hiram Abiff in the woods on his knees. Arms cut from body, Both hands full of dandies.
" This next piece of writing, contains strong sexual content material and graphic language. Many people find it both harrowing and disturbing. It depicts and catalogues a series of true-life events. The names have been changed to protect the innocent, of which there is one; the laws of libel prevent my naming and shaming the guilty; of which there are many." * Reader discretion is MOST STRONGLY advised - As it may easily offend. For this I make no apologies. Events like these are happening HOURLY all over the world at this moment in time, and society as a whole SHOULD be doing more to prevent such misery " ........................................ " IT CAN'T HAPPEN HERE, .....CAN IT?..." It's Sunday, She's staying at dad's flat tonight. She adores him; With the trust that is naturally instilled In a child. Dave, her father, Plays cards with his friends; While she watches, smiling. The pot is short; It's his call. He must make amends. Forty pounds is the bid. With a knowing nod, Colin folds his hand; And taking hers, Leads through the door To she knows where. The now empty bedroom That she sometimes has to share. Shush - don't make a noise; Your stifled cries, Will frighten the toys. Who sitting in silence, Can only watch. As Colin slowly unzips his trousers, And loosens his belt another notch. Her favourite doll, alone in the corner, Draped across the wooden chair; Can but bear silent witness To the saddening pain She experiences there. Next day, She is driven to school; By her dad. In a tatty Volvo. Be-spotted with rust coloured Splodges of primer paint. A stark anachronism Of Swedish sexual liberalism The grubbiness of the grey, Mirroring the semen-soiled nightdress; Of the night before. The paint spots, Ghostly echoes Of dried blood stains Splattered on the white fabric. Heralding her lost innocence; That she would need to wash out Later in the day. When she finally returned To the living hell That served as home. He pulls in at the pavement Saying yesterday was fun And that they should do it more often. He tells her to take care of herself. Sick joke, what? But no-body's laughing anyway. Deprived of decency By her father In that he doesn't even open the door. She rises from the well-worn seat And gets herself out Just like countless Whores before. In some final bizarre sexual gesture As he slowly drives away He also discards the now empty Crumpled, finished cigarette packet Aimlessly through the window Into the uncaring street. It in its turn, would be picked up By some scavenger hard up On his or her luck Anxious to discover If it held any small delight. And on discovering not, it would Be consigned as worthless rubbish And be discarded yet again To a life on the streets. Until eventually, battered and crushed By countless uncompromising souls It would cease to be recognisable For what it once was. Circles within circles. Such is the life we lead. Four friends, sit Sharing girlish giggles. Talking tampons and towels. Discovering the inward Functioning of females For the first time. Smiles, over sharing Secrets of sexuality With their mothers. But she's not laughing. Sitting in the classroom She is longing to tell, someone, About the happenings Of the previous night. To be able to unload All that crushing fear; That is building up Within her frightened frame. Afraid to go home, She hangs around after class Anxious to explain her reasons. But no-one is listening. Nor can they read The pleading in her scared eyes. So she goes home alone, again. Sitting watching television, A break from the drudgery Of endless days Doing household chores. Fear strikes her heart As she hears the key Entering the outside door. Because the washing has taken so long And about it, she cannot tell; The dust she hasn't cleaned From the TV Only causes her mother again to yell. Her anger quickly turns to rage; Followed closely by a beating, And another verbal tirade. Then follows the shouting And the slapping. The angry name calling Infers that someone is a whore. Leading to her being pushed downstairs And landing on the hall floor. She pushes Amy into the cellar cupboard, Then callously locks the door. Leaving Amy, cowering in huddled fear, Upon the dark, coldest floor. Later, in her room, Curled up, tearful, Trying desperately to block out the pain. Lies listening to her sad sobbing. She closes her eyes. Escaping sleep is not easy in coming; But further along the hallway, Someone else is. Urgently calling for Amy Beckons her to her mother's bed. There, between thrashing thighs, And deep moaning sighs, Amy is forced to give her mother Sexual 'head'. Coming home, To the usually empty house, She cannot help but notice The smart car Parked outside. Putting her key In the door, As she has done So many, many times before; She is met by Geoff, The new man, in her mother's life. On the surface He seems very nice. Picnics of strawberries, wine And chocolate ice. And even washing up, Afterwards. School sports day comes, Giving her the chance To exercise her rights As a child; To youthful fun. Sack race successes, Loud accolades. Hiding the depths of depravity, That lies dormant. Buried deep within. It starts with a present, At bedtime. " Put it on, and come and show us how it looks." Simple games, Amongst the adult friends. Pictures are taken. Childish at first, It soon turns nasty; Leading to lewdness and lechery. Removing Geoff's trousers and pants, While her mother looks on; And laughs. Then starts the painful ordeal Of nightly rape. And the utterances of the threatening lie That if she ever dares to tell someone It would surely cause her to die, After a time, She can bear no more Of Geoff's disgusting behaviour. Goes to her father's workplace Hoping on hope That he'll prove to be her saviour. She tells him all That's been going on; And could she come to live with him, Please? Fraught with anger, Fired by fear; He goes and gives Geoff A beating with a garden spade. In his frustration at failing To protect his daughter From this pair of human animals With their filthy habits so degrade. Then he storms out, Leaving Amy to receive Yet another beating From her mother. That leads her to being locked In the cupboard Once again. The broken shard Salvaged from the shattered Kitchen window By which her father had entered Proves to be the key To successful self mutilation To which Amy administers Readily. When the time comes To leave her old school The teacher's reports proclaim That Amy is both clever and wise. But they all still Just sit and listen While her mother Continues to tell The same pack of lies. How Amy sits reading Quietly, in her room, For much of the time. And how she's always Out playing with her friend; But that is untrue From beginning to end. The teacher says Amy could do With really coming out of her shell. Hopes that she'll enjoy her new school; And with that, she wishes her well. Sitting with her new found friends, Thinking that this place, Could indeed be really cool. Then one says, Someone is trying to greet her, From a van. Parked outside the school. She peers across the open courtyard. At her father, who's come to meet her. Full of reasons, Why he hasn't been more often. Excuses that money has been So short lately; Sometimes he hasn't eaten. Now he's come to take her out, About the true reason for his motives, There still exists more Than a little doubt. Having bribed her, With a Big Mac meal, With Coke and a Cadbury's Curly Whirly, He apologises that he has no more sweets; But if only he had more money, He could afford to buy her Lots of treats. Then the unsubtle suggestion, That she could really help Daddy, Just by working the nearby streets. Standing on a dim Lamp-lit street; In her denim jacket, And her flowery Short length skirt; Wearing virginal white gym socks, with matching plimsolls. Her long hair , shining, Looking very much her age. Having only turned thirteen, But for a little while. People, from which she Should get only love; Blatantly exploiting her sexual genes. Although she cannot spell Paedophile; She is painfully aware of what it means. " For a wank, charge'em twenty five quid, If they want a blow-job, charge them thirty" Practising that will corrupt her mind; Into believing love and sex, Is always something That is sordid and dirty. A sexperienced competitor, In these matters, Gives her, and her dad; What amounts to a friendly warning. This particular spot, Is her pitch. And her pimp Will not be so tame; So her father, Just moves on with her, To somewhere else. In his dubious quest It would seem he has no shame; With his repeated attempts, To get ' on the game'. The local lorry park, Proves a likely playground; For the sort of games, He has in mind. Providing a service, For all kinds Of men. The young, the old, and the lonely. Not the actual full sex, though: But just your blow and hand-jobs only. Making sure that the clients, Come in style; Being very sure to use a condom, All the while. He does a deal, Just for a full blow-job; " You know how, don't you, just go and suck his prick; It'll be all be over in a minute!" But it doesn't just take that quick. Squatting, She gives a blow-job To an unknown, Standing man. While her poncing pimp Of a dad, Sits smiling, In his grubby little van. Suck, suck, sucking, On a dirty, crusted, Foul-smelling prick, That's making her feel So, so sick. Wondering why it is That when you Want them to, they can never come Really quick. And when it's finally finished; She finds the smell of sweat and semen, Has left her feeling Really sick. Dave, buys her silence, With a fiver. Then he takes her back home; Double quick. Dusti Rodes (2009) POSTSRIPT TO ' IT CAN'T HAPPEN HERE. .....CAN IT? * " Children have the right to be listened to. The messages that they give us are often painful and disturbing, and challenge our capabilities to actually hear what they are in fact saying and take them seriously. Our conditioned instinct is to recoil from what we are hearing and deny the reality of what is being said. The act of sexual abuse of a child involves a fundamental betrayal of trust, and an abuse of power, which has devastating consequences for the child. Undermining the basic requirements of a child for relationships built on trust, that are both dependable and loving. This gives rise to the premise that children not only have to be heard but also need to be healed from the trauma of such experiences. The child's right to be respected as an individual person should be unquestionable; but it is a long way from being generally accepted within our society."
When you go down to the theatre today (To the tune of Teddy Bears Picnic) When you go down to the theatre today, You'd better go in disguise. When you go down to the theatre today, You're sure to get a surprise. 'Cos every fear that ever there was, Is gathered there because, Today is the day that Dusti Has his heart operation. Big ones, little ones, scary ones. Oh what fun there'll be. Spiders, rats and ghoulies Thing that are not really there, You'll be sure to see. Walls walking, bed bottles talking, Through cavern-like mouths. When you're back on the ward tonight, They'd better not turn on the light. When you're back on the ward tonight, You're likely to have a fright. 'Cos every fear that ever there was, Are gathered here tonight. 'Cos today's the day that Dusti Had his heart operation. Dusti Rodes (2008)
From ‘Blowin’ the Blues' #When a woman gets the blues, she hangs her head and cries, when a man gets the blues, he boards a train and rides ... # (traditional blues song, author unknown) Down in the Deep South, it can take three days to even SEE a train going through a station. Let alone have one stop there. I guess his story started on that fateful night back in sixty-three. Someone had just killed Kennedy. John F, that is. He was shot while driving in a motor cavalcade down in Dallas. It sparked off a whole lot of conspiracy theories for decades to come. Even after the death of J.Edgar. Maybe he took the truth to the grave with him! Who knows? I never really knew him then; I was but a little picca ninny on my momma’s knee, down on the plantation. Barely finished suckling on her teaties. Papa said he was ‘nothing but a no-good nigre,’ and wouldn’t mount to a pile of beans. Just goes to show how wrong some people can be. Sometimes Life can deal people a low card. With him it had thrown away the rest of the pack and was only using a deck of deuces and threes with an occasional four. And it wasn't shuffling them, too well or too often. He was what the white folk call 'coloured' not 'Black'. A mulatto and an albino one to boot. It was probably down to the unfortunate circumstances of his conception. His mother was 'Red' from Rhode Island. An 'easy lay' or so they say. But that was no good reason for her being gang-raped on the streets of Harlem now, was it? His startling appearance often provoked a strange reaction in most people. Raised eyebrows, spinal shudder and shoulder shrug of revulsion, or a sharp intake of breath on initial sighting were common. Standing a shade under seven feet, even with the stooping shoulders and strange way of holding his head slightly forward and lent to the left. Developed from years of attempting to listen with his good ear to what lesser sized folk were trying to tell him. His two hundred and sixty pound plus of bone and sinew barely covered by his leathery weather-wizened skin that had been exposed to the extremes of the elements for far too long. Long days of toiling at whatever work he could get. Bitterly cold nights spent in any shelter he could find. There wasn't any fat on that frame. Thirty-seven years of constant shortage of food had seen to that. Cody Jarrel, cut a vision once seen, that few would forget easily. If ever.... Cody sat slowly drinking the dregs from the bottom of the empty bottles left by paying patrons of the bar. He shuddered so violently, it wracked his frame to it's very core. Sheltering on the back-stoop of the Shanty Shack, from the rain that had been incessant in its task of soaking him while he tried to seek some sleep to rest his weary body throughout last night. It had succeeded, so he let out another shiver that clinked his spine. Down in the doldrums, yet again, the future was looking real bad for him. And little did he realise it then, but it was going to get even worse before it could get better. Much worse. Dusti Rodes (2007)
In the Wind The lonely nights. They were the worst part. The long hours spent building the bike. Burning the midnight oil until the cold light of dawn took over the illuminations. He sat, oil-stained mug in his grease-decked ham of a fist. Java's best, steaming, burning his throat raw with every lug. Was this his thirteenth or fourteenth today? He couldn't remember now. The massive doses of caffeine failing in their allotted task of feigning off fatigue; the accumulated grounds covering the mug bottom in a remnant of Mississippi mud, deep, from down in the Deltas. The first finger and thumb of his free hand were deftly putting the finishing touches to the joint he was rolling. It was a little art he'd picked up during his frequent stays at Her Majesty's Pleasure at various establishments around the country. His makings lay strewn over the old table that served as totem-factotum to his needs. Diner, workbench, even pillow on multiple occasions over recent months. He raised the cigarette to his lips, and with a single action that comes with years of practise, sealed it with his saliva. With it now ensconced in his mouth, he reached for the lighter, lit it, and took a deep toke. The sweet smell permeated his flaring nostrils, while he drew down the smoke deep into his lungs. As he exhaled, his heavy eyelids closed momentarily. The necessary effort required to open them again proving too much in his tired state, he allowed his mind to wander. Where had it all started? When was it now? Pour quoi? The combination of drugs and fatigue was fast inducing sleep, which only served to confuse the thought processes he was desperately trying to assimilate to no avail it seemed. The auto-jumble sale in Birmingham, that was it! That's where he'd first seen the bike, and realised its potential. An ex-WD combo. A 1948 six hundred cc, single cylindered side valve, from the Birmingham Small Arms company. With a camouflage green paint job. 'Distinctive', the vendor had called it. Hardly Milwaukee Iron, but beggars can't be choosers, can they? He'd only paid two hundred quid for the lot. And the seller had thrown in set of front suspension springer forks from a 1949, M20. The 500cc model that the dispatch riders normally used in the wartime. They were standard equipment on both the combination and solo set-ups. And they were chromed already! Save him a fortune that would. He'd altered the rake on the steering to an inch and three quarters over stock. That'll give him that low-rider effect he wanted. Just like Peter Fonda's in the film. Dusti Rodes (2007)