Dusti Rodes

2014-03-04 12:00 am

When you go down to the theatre today

 (To the tune of Teddy Bears Picnic)

 When you go down to the theatre today,
 You'd better go in disguise.
 When you go down to the theatre today,
 You're sure to get a surprise.
 'Cos every fear that ever there was,
 Is gathered there because,
 Today is the day that Dusti
 Has his heart operation.

 Big ones, little ones,
 scary ones.
 Oh what fun there'll be.
 Spiders, rats and ghoulies
 Thing that are not really there,
 You'll be sure to see.
 Walls walking, bed bottles talking,
 Through cavern-like mouths.

 When you're back on the ward tonight,
 They'd better not turn on the light.
 When you're back on the ward tonight,
 You're likely to have a fright.
 'Cos every fear that ever there was,
 Are gathered here tonight.
 'Cos today's the day that Dusti
 Had his heart operation.

 Dusti Rodes (2008)

Dusti Rodes

2014-03-04 12:00 am

WHO?

 When I say Allan Ahlberg,
 People say, "Who?"

 Then I say "Well, I like him, don't you?"
 People say, "Who ....?"

 I say "He's a poet"
 People say, "When?"

 I say, " I first heard him back in the late Eighties"
 People say, "Oh, then!"

 I say, "Heard it in the Playground"
 People say, "You must be younger than you look!"

 I say, "No, that's the name of his book!"
 People say, "Never heard of it!"

 I say, "Haven't ..... YOU ? "

 Dusti Rodes (2010)

Dusti Rodes

2014-03-04 12:00 am

BALLOON
(From 'Whittlin' Wood'

 My Heart is like 
 A big Red balloon.

 My love for you,
 The air that fills it.

 If I had anymore,
 I would surely burst.

 Dusti Rodes (2014)

Dusti Rodes

2014-03-04 12:00 am

The Lady in Red

 Inspired by John Ogden's painting ' Be she a Falcon or a Dove ' ( 2009)

 Puddles of pigment
 Of red and white,
 Bloom like flowers in the artist's palette
 Likened to a small, wild garden.

 She poses provocatively,
 Dignified but still self-conscious,
 Against the wide blue screen
 That forms the night.

 Robed in ravishing red,
 She stands bathed
 In Lady Luna's soothing light.
 While the evening star
 Plays shimmering consort.

 She did not fail to see
 The symbolism held
 Within the artist's eye.
 The meanings of her life,
 Captured there before
 The paint could ever dry.

 The Venetian mask
 Behind which she hides,
 Masquerades the pain of her past,
 Blood-red.
 And the golden promise of things to come.
 Are reflected by the candle's gentle glow.
 Lighting the way to her future.

 Marley said we all create
 Our chains of pain.
 Forged one link at a time,
 By our misery.

 Hers was a string of Pearl.
 Individual incidences,
 Joined by circumstance;
 Seeking to keep her,
 Forever fettered to the past.

 But the key lies in the roses.
 Poetic echoes reverberating .
 Be she a Falcon or a Dove ?
 A raven-haired temptress,
 Or an angel of love?
 A scarlet woman or a painted Lady?

 Hence from now onwards,
 She will be known only,
 As the Rose.


Dusti Rodes (2009)

Dusti Rodes

2014-03-04 12:00 am

The Blackbird

 I see him,
 Everywhere, everyday.
 The blackbird.
 Here, near and far away.
 The blackbird.
 Tilling the dark brown soil.
 The blackbird.
 Continuing in his daily toil.
 The blackbird.
 Colliery coal-face in colour.
 The blackbird.
 Eyes that glint,
 With a light,
 Like no other.
 The blackbird.
 I see him,
 On a fence.
 The blackbird.
 In a hedge.
 The blackbird.
 Reflected in a window.
 The blackbird.
 Perched high,
 In a solitary tree.
 The blackbird.
 I see him,
 But does he see me?
 The blackbird.
 Watching,
 Waiting.
 The blackbird.
 Demonic soul-seeker.
 The blackbird.
 Hell-sent carrion eater.
 The blackbird.
 Herald to the Grim Reaper.
 The blackbird.

 And his name is Death.

 Dusti Rodes (2007)

Dusti Rodes

2014-03-04 12:00 am

In the Wind

The lonely nights. They were the worst part. The long hours spent building the bike. Burning the midnight oil until the cold light of dawn took over the illuminations.
He sat, oil-stained mug in his grease-decked ham of a fist. Java's best, steaming, burning his throat raw with every lug. Was this his thirteenth or fourteenth today? He couldn't remember now. The massive doses of caffeine failing in their allotted task of feigning off fatigue; the accumulated grounds covering the mug bottom in a remnant of Mississippi mud, deep, from down in the Deltas. The first finger and thumb of his free hand were deftly putting the finishing touches to the joint he was rolling. It was a little art he'd picked up during his frequent stays at Her Majesty's Pleasure at various establishments around the country. His makings lay strewn over the old table that served as totem-factotum to his needs. Diner, workbench, even pillow on multiple occasions over recent months. He raised the cigarette to his lips, and with a single action that comes with years of practise, sealed it with his saliva. With it now ensconced in his mouth, he reached for the lighter, lit it, and took a deep toke. The sweet smell permeated his flaring nostrils, while he drew down the smoke deep into his lungs. As he exhaled, his heavy eyelids closed momentarily. The necessary effort required to open them again proving too much in his tired state, he allowed his mind to wander.
Where had it all started? When was it now? Pour quoi? The combination of drugs and fatigue was fast inducing sleep, which only served to confuse the thought processes he was desperately trying to assimilate to no avail it seemed.
The auto-jumble sale in Birmingham, that was it!
That's where he'd first seen the bike, and realised its potential. An ex-WD combo. A 1948 six hundred cc, single cylindered side valve, from the Birmingham Small Arms company. With a camouflage green paint job. 'Distinctive', the vendor had called it. Hardly Milwaukee Iron, but beggars can't be choosers, can they? He'd only paid two hundred quid for the lot. And the seller had thrown in set of front suspension springer forks from a 1949, M20. The 500cc model that the dispatch riders normally used in the wartime. They were standard equipment on both the combination and solo set-ups. And they were chromed already! Save him a fortune that would. He'd altered the rake on the steering to an inch and three quarters over stock. That'll give him that low-rider effect he wanted. Just like Peter Fonda's in the film.


Dusti Rodes (2007)

Dusti Rodes

2014-03-04 12:00 am

Every Cloud Has a Silver Lining
(From 'Working the Wilderness')

The authorities decision last Fall, to only empty the organic waste bins every two weeks from then on, worked in the Winter when nothing was growing and the temperature was zero or below most of the time.
But the warmer weather has arrived, and now the bins contents such as mown grass cuttings, rotting weeds, chicken carcasses, egg shells, fish heads, tails 'n' scales , animal's entrails and the like, stinks to high heaven.
The bin is teeming with ants and their eggs, absolutely mingin' with maggots, and the air is filled with flies most of the time.
But they say there's a silver lining in every cloud, if only you bother to look for it, don't they?
The bait for my fishing don't cost me anything no more.
In fact I'm even making profit by selling some of the ant eggs, casters and maggots to my neighbours for THEIR fishing needs!


Dusti Rodes (2007)

Dusti Rodes

2014-03-04 12:00 am

Clearing Levees and Cleaning out Culverts
From ‘Working the Wilderness’

They moved in a monster of a machine the other day. It was mounted on a very large low-loader, pulled by one real fancy rig. With a bucket jaw, mechanical mandibles, and telescopic legs powered by hydraulics, it looked just like a giant locust.  In leaving the landscape raped and ravaged by its passing, it might just as well have been. What with the wet winter and the really cold spring, Mother Nature got off to a bit of a slow start with her growing plans this year. But it must be said we’ve had some exceptional sun these last couple of months and she’s caught up magnificently. Folks around these parts were looking forward to an abundant harvest of wild fruits. Blackberries, elderberries, apples, even a few pears from the only tree hereabouts. Even the oaken bushes were full of acorns at this time; the pigs would have a real feasting this Fall. But it is all history now. The man from the Ministry decides last winter’s floods were too much and now the levee needs widening down by the bridge and several of the culverts could do with some serious cleaning. So they sent in that mammoth on Monday.  To get the trailer and its wide load down to the bridge, the rig took the most direct route it could, tearing up the surrounding vegetation as it lumbered along in its task. Gone are the banks of brambles full of blackberries where they cut out the culverts, so too are the briars with their precious bounty of rosehips. The birds will sorely miss them this winter if it turns as cold as they say. There was a fine crop of elderberries on those several trees down by the bridge. I was looking forward to maybe celebrating some special event with the produce formed from the fruits. Looks like I can only dream now of what might have been.   They were uprooted easily by that mechanical monstrosity in its relentless quest to widen the levee. As me and the Maverick went walking this morning, I couldn’t but help notice how desolate it all looks at the moment. The grassland all torn up, rotting down with the effects of the last few days’ dry weather, now soaked by last night’s storm. Rivulets of water running down ink-black soil banks, exposed by the monster’s jaw work. The rutting of the pathways caused by the sheer weight of trailer and the rig’s tyre tracks also being filled by the fallen rain. A real shame I reckon. But Nature being what she is, she’ll survive the ravages and in time return the status quo, just differently


Dusti Rodes (2007)

Dusti Rodes

2014-03-04 12:00 am

Jazz Duellin'


"Some people spend their whole lives, and not hear the sounds stored insides 'em. Forgits the notes, jist plays the music.
We's alls gots 'em. Black notes, white notes, notes that's been done stretched, even bent ones. Theys orl ins there.
It's hows youse use 'em, that's the trick! Whethers you beats 'em, till they is blue; or you coaxes them out gently likes fine wine from a bottle, it's up to youse. Some folks puts 'em in orders that mosts don't even finks of! And that's olrights too. It's up to youse. Jist gotta finds your own ways o' makin' 'em sounds... It's orls I kin tells yer..."


He hadn't played the piano in a long time.
Disillusioned, downed by the drugs,
That ran riot in the community and company that he kept.
He had drifted away.
Somewhere. Anywhere.
But there.
Harlem could frighten even the strongest of souls.
And he'd never claimed to be that.

They called him Cajun.
A remnant of time spent in New Orleans.
The honky-tonks, the seedy bars and the backroom bordellos,
That he had often frequented while down there,
In what seemed now like a hundred life-times ago.

But he was back in the old neighbourhood.
He'd come for the funeral.
One of only a few true people,
He could call friend.
Word spread like wildfire, as it does in these times,
That he was back in town.

At the graveside some of the old crew ambled over to him.
Asking the usual stuff.
How's he doing and the like.
Told him they were holding the wake at Creole's Place that night.
And would be sure pleased to see him there;
The brother being a friend and all.

When he walked into the Place that night,
He was greeted by a sight he had almost forgotten.
The air was thick with the smell of stale beer,
Rotgut rye whiskey and weed joints.
The lights, they were turned down real low.
But people saw him standing there,
And still took the time to say hello.

He hadn't even been nowhere near a piano,
In a long while.
They had seen to that.
Six years in the slammer cramps a man's style.
Lithe fingers, gone fat.
The used-to-be so supple sinews now taunt.
He flexed 'em.
They fought back.

The spotlight on the stage area,
Reminded him of those damned searchlights,
That had sent their searing shafts of light skyward.
Cutting into the darkness outside his cell,
Night after night.
Robbing him of the only escape available,
To the inmates of the hell-hole.
Where he had been incarcerated .... Sleep.

Creole, the 'Fatman', on bass fiddle,
'Bleedin' Lips' Murphy, blowing blues horn.
'Skins'Duval, up there on drums.
The Fatman called out, coaxing for him to come up on the stage.

Most folk never really hear the sounds inside them.
But some can't help but create,
The music they were born to make.
Cajun was one of those.
He hears the roar rising from the void within.
Like a volcano.

Molten music,
Stirring deep in the depths
Of his frame.
That must come to the surface,
Like lava, straining to escape the confines.

A piano is made of wood 'n' wires.
Hammers big and small.
Ivory keys that need gentle,
Or sometimes even firm coaxing;
To give their best or better.
To some, it's just a piano,
A boxful of sounds.
A mechanism for making music.
For others, like Cajun,
It's an extension of the soul.

The drums, they spoke something.
Grumbled, mumbled low.
Real low.
The fiddle responded with a taunt strain.
The horn blew for all it's worth.
The note long and very low down.
Somewhere deep, deep in the depths.
They were having a conversation,
Wanting Cajun to join in.
To leave the safety of the shoreline,
And strike out for the deep water.

Then Creole started beating the box,
With his waxed bow.
Stacking the blues.
Coaxing, urging, Cajun to take up the thread.
Waiting for him to do things on the keys,
That showed he was wading in the water with them.
And Cajun answered them all.
With authority.

The dialogue became a monologue.
The piano was doing the talking now.
All everybody could do was but listen.
In awe.
The riffs and licks spoke with an urgency.
They told of places,
That none of the others had ever been to.
Describing pain, that few else had ever felt.
Diving to depths of despair,
Unplumbed by mere mortals.

But Cajun had been there.
Seen the sights.
And he was telling everyone.
That which he had experienced.
Reliving the roller coaster ride,
That his life had been so far.
And he took all those,
Gathered there, that night.
On the journey.


Dusti Rodes (2007)

Dusti Rodes

2014-03-04 12:00 am

Tinning Tobacco

I know it ain't your problem, 
But jist sometimes, 
This is one hell of road
To be moving down, all alone.

It has caused me to be in places, 
I never wanted to travel to.
And view lots o' sights, 
I never did need to see.

So I'm gonna try
An' buy me a ticket
At the next station,
Then I'll be travellin' the first train out.

Yes, I'll be on that train out, 
One way or another, even if, 
I just ride the blinds.
Like I gone done, oh so many, 
many times before.

An' when that there ol' Devil, 
He comes a'knockin' at my door.
Thens they is gonna tells 'im
I'sa don'ts live here, anymore.


Dusti Rodes (2007)

Dusti Rodes

2014-03-04 12:00 am

The Camden sessions

I'd observed it for a while,
His developing love affair,
With the long-necked lady.
Pretty in pale blue,
Adorned in silver,
Shining like the stars.

The gentle coaxing to obtain
Audible verbal response.
The warm embraces,
Fingers firmly plying
Intimate places.
To go where no-one
Had ever been before.
Or since.

Alvin Lee?
Oh, yeah, he was good,
But he wasn't Smokin'.
Fastest fingers alive,
In my opinion.
Eric Clapton?
Rightly deserved the title,
Slowhand, in comparison.
And what Hendrix stole
From Smokin's skills
Is another story, completely.

Long gone midnight,
Silently sitting, slouched,
On the sofa.
Jist jammin' the blues.
Echoes from deep down,
In the Delta, reverberating.
Needing no artificial amplification,
Electric or otherwise,
To portray the genius.

Rampant riffs,
Luscious licks,
Complex chords,
Paranormal phrasings.
Rumour has it that
Robert Johnson,
Did a deal with the Devil,
At the crossroads.
Some say so must have Smokin'.
There is no other way,
That he could play,
Like that.

But I know the truth.
He was gifted by God.
And forty years on,
I still feel humbled,
And very honoured,
To have heard the musical magic.
Performed nightly in Smokin's front room, 
for an audience of one.


Dusti Rodes (2007)

Dusti Rodes

2014-03-04 12:00 am

Ode to Martha

 My muse, a Harridan hag?
 I don't think so!
 Some have familiars, in the shape of cats.
 Others have Spirit Guides,
 Which are Red Indian warriors.

 I don't do all that PC stuff,
 And say they are Native North Americans!

 Me? My muse is a wizened old woman.

 I was killing time, standing outside the Hospice shop,
 Waiting for my watch repair to be ready.

 One split second she wasn't there, I swear, 
 The next she was!
 She appeared from nowhere, I'm telling you!

 The encounter with the woman in the grey shawl.

 It took just ten minutes that was all.
 But it will last a lifetime.
 Mine.

 Was it real, or was it a dream?
 Was she a witch or a wraith?
 Merely a ghost or a gregarious goblin, 
 In disguise?

 The situation certainly had all the makings of a mystery,
 And all the trappings of a thriller.

 The people I tell just stare at me strangely.
 Who wouldn't? I ask myself.
 I'd probably do just the same,
 If it wasn't for the fact,
 That it had happened to me.

 She came from the North, or so she said.
 Irmerston is a name I recall her using.
 More than once.
 Or was it that she had relatives there?

 Was I really 'touched by an angel'?
 There was definitely ' a laying on of hands',
 As in the biblical sense.

 Could this have been an encounter of the Fourth kind?
 Hebrews thirteen has a lot to answer for.

 She said she was eighty five.
 And had been a Mormon since she was forty.
 But in some lights I would have sworn she wasn't yet sixty.
 In others, she had a face that had seen more than a thousand summers.

 I've heard of shape-shifters,
 I never thought to meet one.

 Many say I talk at tangents, 
 And maybe they are right.
 I do waffle on a bit.
 Never keeping to the same subject for long.

 Fleeting thoughts,
 Forever fluttering,
 Like a butterfly in its short life span.

 Over the last couple of years,
 The diagnosis of my chronic atrial fibrillation,
 Has caused me to consider my life expectancy.
 And to realise it may be seriously shortened
 At any time in the near future.

 But she spoke confidently and authoritatively,
 About longevity.

 Quoting several incidences of people living to a good age.
 Katherine Hepburn living to a hundred.
 Her long relationship with Spencer Tracy.
 And made it sound so matter of fact,
 That Katherine had given him a cup of tea,
 Shortly before he finally died.
 It was as if she had been there at the time.

 Her opening gambit had been to draw my attention,
 To a boxed set of Frank Sinatra records.
 Displayed in the shop window.

 As I intimated earlier,
 I'm sure I was alone outside that shop.
 And the sound of her speaking to me had startled me,
 Into realising she was standing beside me.

 She started by saying Frank had a daughter, Nancy.
 And a son, Frank Jr.
 She talked about his Mafia connections.

 When I retorted that rumours were rife,
 During all of Sinatra's life.
 But that he had never publicly admitted to the allegations.

 She intimated that the reason being was,
 That Frank had not actually done anything 'bad' so to speak.

 At that moment, she gave me the distinct impression,
 That she might have known him and his family intimately.
 But how could that be?

 I was becoming afraid of the enormity,
 Of the developing situation.
 So I made my excuses to leave,
 And she let me go wishing me well.
 We parted.
 Me going my way, she hers.

 I picked up the watch from the menders.
 It must have taken all of two minutes.
 When I suddenly realised the terrible mistake I had made,
 In cutting our conversation short.

 I began searching the town.
 Shop by shop.
 Each individual lane up and down.
 But to no avail.
 Seeming she had disappeared the same way she arrived.
 Suddenly.

 It wasn't till I was on the bus travelling home.
 Feeling thoroughly desolate.
 That I heard her voice again.

 But this time it was different.
 She was inside my head, talking to me.
 She said artists, of all kinds,
 Needed inspiration from time to time.
 And she would be mine, if I let her.

 I know now I made a mistake,
 I thought I was her 'mark' in the town,
 And she was just getting ready to put the sales spiel on me,
 To buy her that expensive bottle of sherry.
 That she said was the only one that she drank.

 She'd talked about many things,
 And how everybody had vices.
 Drugs, booze, cigarettes etc.
 She said how hers weren't too bad.

 Just a tipple now and again of the sherry,
 That could be bought in Tesco's.
 (Which had been across the way,
 From where we had been standing)
 At nine pounds a bottle.

 Here we go, I'd thought,
 Here comes the pitch;
“Hard times 'n' all, for an old lady.
 You seem a nice person,
 Could you see your way clear to buying me a bottle, maybe?"

 This is why I had up and ran.
 But instead, here was she offering me the gift!

 Some writers have residencies. I am hers.

 Where we will go from here, is any body's guess.
 Just watch this space!
 But I do suggest you don't waste your time,
 Standing outside the Hospice shop,
 In the vague hope she might just amble along.

 Because she's mine,
 And I'm keeping her!

 Dusti Rodes (2006)

Dusti Rodes

2014-03-04 12:00 am

MASTERCLASS - A Poet elaborates

 This could be called a Performance poem.
 It contains examples of the art of poetry.
 It has degrees of Irony
 And I think it shows
 This artiste's truly biting wit.
 Others just say despairingly
 I'm really full of S**t!
 (That's the limerick!)

 There are poems
 Within this poem
 In which I take no recourse
 To neither rhyme, nor do I measure meter.
 And in the abysses and crevasses
 Caused by the use of blank verse
 You'll find I'll often teeter.

 I'll now demonstrate my art
 With the able assistance
 Of just twenty-four playing cards.
 And when I'm finished
 I'd like a start
 Of at least a hundred and fifty yards!
 (I'm an old man)

 *Display cards and say-(counting off)*

 A poetry reading.

 A poet reads,
 A short poem
 He has written.

 Eight lines only,
 Two dozen words.

 Three word poem.

 Ironic and Sardonic.

 (Thank you. and Goodnight!)

Dusti Rodes (2002)

Gord

2014-02-28 12:00 am

In defiance, with pious hands;
To work like the common man;
but with plans more defiant; 

Losers to immolate in self-defense;
Slingshots no longer topple the Giant;

Fire deep inside her wished to deny it;