0 
Gord
2015-10-01 12:00 am
Neither side Tamarack, Fight of the fat necked fools, Plague of constant addictions, Evolving unemployment tools. Told to stay, Yet constant movement with No beast to slay, No need fur goods, No need for gold. Dismay of only complacent future, No brandy for feigning culture, Prone future of needle-side nurturing.
Gord
2015-05-06 12:00 am
Voice To explore the belly of the beast, Is to die for what you believe in. Countervoice: Explore the mouth of a dog, Finding nothing, move on. I implore a decision by partisan. Voice: As if I were to run ashore autistic, Circumventing a sky of no direction, Upon sunken ship of squalid condition. I prepare for no blockade partition, No handkerchief can adopt misdirection, So no thief can hold a cloth of gold. Countervoice: Mention again of the god-dog. Who sits at the feet of us all. Sub servant religious dogma, Poverty being stomping ground, If man is to answer a challenge, Who is to call him down?
Gord
2015-02-25 12:00 am
Gold dinar seemingly portrayed free, Creased jeans denote not experience, Nor worn strings of the old guitar. Popular opinion seems to be, Gold crowns hold some sentience, Power, However is only an art; Movement of heart is truly living, Prudent hopefuls, human beings, Students convalesce upon the sea, Trading complacence for femininity;
Gord
2015-02-18 12:00 am
Voice 6: Voice 5: Impart not, depart impassioned. Skirt not around the main subject, Constrict yourself within contract, Remain slack, what remains lacks. Often gold is only plated brass. Voice 6: Massive injuries cost my crawl, A future gone, Even barring expectation, I could bawl tragic. Should Atlas drop the ball, Just expecting God catch it? I want no tricks nor magic. Voice 4: There shall be no magic, silly tricks or dancing, Only men upon a battlefield. Some dead, some laughing. For if you could take a life, I could take a life. Only without procrastinating. I will bring a squire only, No men will hold you down, Assuming no-one eviscerates me, only father shall go to town, my final wish being a canary.
Gord
2014-12-18 12:00 am
Dodging the dollar I fandangle financially, Result is loss of respect, a market pit. Target direct, managing not a hit. Mockery is the result, and cannabis. Cancel my appointments, I have appointments, Anointment of jewel'd gold on consignment. Appropriate for me is the wealth of a king, Misappropriated funds of those supine, Inappropriate funding given to those who sing. Reality's funnel continues to decline, Continuing to be, as its always been.
The Paraffin One
2014-09-18 12:00 am
Classlessly the entire generation asks, Perchance who is to breathe this air? Perhaps they know not of gasses, How easy they are to acquire, wherever. Why not just call someone a thief? Why not a liar, or simple cheat? For selling someone a leaf, Calling gold that found among peat. Couldn't ignorance be but a plea? With no common ground to stand, Everything you see marketing fleas, Ticks suddenly drop in market demand. Concept, is a concept if you understand conception. The epitome of tomorrow claim they never got the lesson.
Gord
2014-07-03 12:00 am
Cardinals, Priests, Meadows of patients waiting. Gold Dinar, feasts, Falsettos of passion singing. Bringing ashen feet, Bellows and deep reservoirs. Nothing but temptation, Fleeting hearts, mellow minded followers. Cheering on, like stallions they broke us. Ignorant engulfed in a field of locust.
Gord
2014-05-16 12:00 am
I screw up, just before the exit, Re-schedule my days upon lighting torches, Renewing an old love for delightful corpses. See to it that the girl is pleasur'd. No golden god summoned will even touch her, No other lover to serve under, I sure shit the bed on this one. Previewing future proves absolute doom. My wife loves the taste of blood, I spend my life providing it to her.
Gord
2014-03-17 12:00 am
I eschew words like schlep, I schedule my days upon lighting torches, Renewing an old love for delightful chorus. I see to it that the girl is kempt. I make sure no golden meal even touch her, No other lover, I sure made my love for her seem abundant. Previewing future proves nothing but true love. My waifu loves the taste of cheeto dust, You know, when we kiss and stuff.
Dusti Rodes
2014-03-05 12:00 am
A Week Away A week away A cottage in the Cotswolds Solitary single socks All in a line On parade Hands like hooks Feet that throb Barms and breezes In Blackpool Fortunes found and told Tramlines Scarring the seascape Soaring seagulls Hawk-like hands Flaying feet Seagulls that screech Mayhem in Mablethorpe Being Stumped in Boston As to which way to go Kiss me quick Squeeze me slow hats For edible orifices Wonka's Willies Trams travelling Towards the Tower And down the Golden Mile From Fleetwood North and South Piers Sandcastles Big and small Towards Town Postcard pictures Picture postcards Pencil drawings By computer The Mere at Marton Limousines And lycra-clad mirth-makers Mobster's metal machine Made from a Mini National Savings & Investments building Blocking the breeze And the light Standing in it's shadow Comfortable caravans Laughter from Leighton Jokes from Jamie Sparkling grape juice All the way from Grimsby Via the M18 Panoramic views From the highest motorway In Britain Deep dales High Pennine peaks In Yorkshire Rain and sunshine Traffic build-ups In Blackburn Blues in Burnley Families fighting Four-pint pitchers Of foaming ale Mussels and whelks Oysters and orange squash Cockles and crabs People driving Dangerously long miles Without falling faint Of fatigue Passion in the Pennines The castle moat Golden sands Tilting telegraph poles Going up And coming down Steep steps To silver sand Shorelines stretching As far as the eye Can see Whirling wind turbines Whitewashed windmills Scattered over the Northwest frontier Unfurled flags Flying furiously In a westerly wind Cod and curry sauce Pen'orth o'scraps And pots of mushy peas Wrapped in writing Mablethorpe Messenger Blackpool Gazette Cotswold Courier Yesterday's news Today's chip wrappers Tomorrow's waste. Dusti Rodes (2006)
Dusti Rodes
2014-03-05 12:00 am
A Day in the Life I Morning Up early for a Sunday The clock says eight But even that's late For what we have to do And where we've got to be Breakfast hastily eaten A schedule that has to be beaten The taxi comes just on time The clock strikes the half nine The train will leave at ten So we have to be there then II In a railway waiting room People sitting Waiting for the train Some just there To get out of the rain The sun is starting To shine now Making the outlook Better somehow The fire Glows brightly Offering security In its warmth There must be a hike Somewhere By the amount of people Going there Dressed in their anoraks And their boots A passing express Gives warning toots Waiting for the train To friends Still far to go Before our journey ends Although having already Come this far Still there are miles To be travelled By car Sitting patiently, waiting For the train Marking time To the pouring rain III A ride through the countryside At our destination We are met Commiserations Hoping we did not get Too wet Outside the station They had parked the car Comfortable seats Our journey Not to mar We are off Through the countryside Making quite a pleasant ride Of our quest To the coast Never really deciding Which we prefer the most Ever onwards We are drawn Towards the outskirts Of Eastbourne IV Eastbourne Eating eggs Hard boiled Liver sausage sandwiches Cheese and ham Fried sausages Oranges too What a sight For people to view Throwing stones Into the sea Stopping to watch The tide roll in Then a walk Along the pier Perhaps to stop For a cool glass of beer Buying ornaments Made of glass Playing the games That made us laugh Throwing balls Into walls Listening to the radio In the warm Then on again It was said Towards the crags Of Beachy Head V Beachy Head Climbing up To the Bell Tower Pausing to view A lonely flower The long climb Winding a few The breathlessness Well worth the view On looking out to the sea So calm One could scarce believe It could do so much harm Then suddenly The gunshots Warning us of the coming rain So we quickly make our descent again The rabbit droppings In the tufted grass Is the sight I remember last The gulls wheeling On the wind Showing aerial acrobatics That Man will take A thousand years To conquer VI Newhaven When the tide Is full in It is a facade To walk along The esplanade At Newhaven For the angry waves Batter the man-made wall Persistently trying To make it fall Spraying Unwary travellers With showers of stones And the flying Sea spray That rusts Even the lamp posts Within a month The road to the west This is our quest Pass the ox-bow lake On the river That meanders Through the open fields Filled with Sweet smelling air The road takes us Past the harbour Where, the ' Chichester Star ' Lies anchored there Moored at her rest VII Brighton The Palace Pier On a Sunday Even in March Full of people Having fun Some lie on the beach Catching the sun That hides Behind the clouds Of the rain-filled sky But here we do not stay Perhaps I'll return Some other day The time has come Not to linger Drawn ever onwards By a wandering singer Dressed in sandals And in jeans Singing songs of the Changing scenes Sentiments felt By myself He did quote. He sang, Whilst I wrote VIII Shoreham Dark, dank and dismal Grey and grim Stands the power station The side, the day-tripper Does not see The squalid surroundings Of the industrial side Where the rubber factory Takes the coke works For its bride There, beside a mountain Of metal scrap Stands a fellow In a cloth cap Surrounded by Carcasses of cars Burnt out By long cold fires Wasteland covered With prickly briars Rubble strewn around Sweet papers, magazines Stones cover the ground The road carries on Pass the gasworks To playing fields Where people sit watching Others using their energy To a useless end A steel girdered bridge Spans the road Along by which The river still flowed IX Worthing Having high tea In the lounge Sardines, rolls Tea and toast Watching the sea Leave the coast Playing the pin machines With pennies Reading the paper To find the news Desperately needing To use the loos Off on our trek again Running from the Fast oncoming rain X Half a league ..... Destination somewhere In the west Selsey, probably At the very best Time, like the tide Rolling on Light of day Has nigh nearly gone The lights burning Along the road Turn from the palest pink To shimmering gold Eve draws on Darkness, soon to follow A level-crossing That isn't so level In fact, the road Looks like more of a bevel The road becomes Winding and long Making us remember The young minstrel's song Following the line Of cat's eyes Broken only By the sound of sighs A solitary star Guiding us, as of old The weather becoming Increasingly cold The long boring night Is broken By the bright lights Of the big service station At Crawley Say as they might To me, the most welcoming sight Was that of The Thorns pud At Horley Liquid refreshments For parched dry throats Although there was nowhere To hang our coats Having once Quenched our thirsts The road leads on To Billinghurst Then on down Cowper's Lane Just as it starts Again to rain In the comfortable warmth Of her home We are again Free to roam Tea for three And one for coffee Arguing who'll get to eat The very last toffee Onwards then, Homeward bound The car really seems To leave the ground Till the lights of Croydon Are encountered And as we are at our door " It was fun, we must do it more!" The two of us Climb the stairs Once again To all our cares Very quietly Into bed Nothing more It has all been said. Dusti Rodes (1975)
Dusti Rodes
2014-03-05 12:00 am
* The driving force within - I don't know the meanings, I just feel the feelings * The kick inside, Gives the reasons to write. It's the sign of the writer, Not the fighter in me. Or maybe it is. It's all here. That which has been written, Honed and pared, To give timbre to the tomes. The fears and frustrations, The high days and holidays. The black days and the blank days. The literary diamonds, the golden nuggets. All the bum lines and the b******t, Of poetic wisdom, and otherwise. Dusti Rodes (1997)
Dusti Rodes
2014-03-05 12:00 am
' Act of Faith ' The Weaving of the Web The Poet's Perception Caladbolg One Sword. Taking two hands to wield. Rainbow ruler of all others. Smiter of mountains and of hills. Made with molten faerie gold. Fashioned on the forge Of Fir Bolg giant, Balor of the Evil Eye, Defeated at Moytura, By the wiles of Tuatha de Dannan Magical warriors. In reprisal for the death of Lu of the Longhand, Son of their King. ' By this Sign, so shall you know me! ' "Remember this, Sire, And use the information well; For they plan to kill my Liege" So spoke the Lady of the Lake. " 'Twas the Vessel with the Pestle, That bore the potion that was Poison. And it was the Flagon emblazoned with his Dragon, They did fill with the brew that is True. But the serving-wench did slip, The platter fell to the floor And did crash on the flagstones there. The Vessel with the Pestle was smashed. Shattered into a thousand shards. Now the Flagon with the Dragon, Contains the potion that is Poison; And the Crystal Chalice, That was procured from the Palace Holds the brew that be True." Act of Faith I feel very vulnerable. I haven't put this much trust In Anyone or Anything, For longer than I can remember. Only time will tell If this act of faith is justified. The Artist's Explanation I have always been a fan of Arthurian legend, and in the end decided the ultimate act of faith, was the search for the grail. I have mixed up lots of ideas within my painting though, here is the official explanation. The hill on which she has reached the pinnacle, is Glastonbury Tor, but a thousand years ago the glow of what is now Glastonbury shines below her. In the sky there is the constellation Orion, this symbolises the king of the fairies, Gwyn ap Nudd, who legend has it lived on the Tor before being insulted by St Collumb, and in doing so left the Tor to forever hunt his hounds across the winter sky. Instead of the ruined church that is on the Tor now, I thought a small standing stone might suffice, and embedded within the stone in a similar way to the sword Excalibur was embedded in a rock, I have placed a wooden chalice, the moss on the rock and the shamrocks, also give the chalice a bed on which to lay. Shamrocks being symbolic not only of Ireland, but also the holy trinity. It is also a trefoil, which is the symbolic of Awen, which is the druid symbol for inspiration. On her wrist is a bracelet, which has fallen from the chalice and magically clings to her, the bracelet is silver like the moon with a fleur de lis (another symbol of the grail, and Mary mother of Jesus, coupled with the holy trinity). The lady is wearing nothing more than a simple white jacket and is naked below. She is also blindfolded, and therefore has to accept trust and her faith to protect her from this vulnerable position. She has come to the end of her quest and has found her grail, purely by way of faith, and is now tired and weary but still proud and undefeated , she is genuflecting to its wonder. The sword has two symbolisms, the first being that it was once broken and has been repaired. (This relates to the story of Galahad, repairing the magical broken sword, from the Fisher King stories, near the end of the grail quest) and the design of the sword I am using is unique in such that it is a copy of the original sword used by the genuine most famous knight in English History, Sir William Marshall. The long grass has various dandelion clocks settled within it, one has burst its seeds, sending them cascading across the painting, the dandelion means many things, including flirtatiousness ... However it is also in gypsy lore the symbol of transition and ascendancy from physical to spiritual. One last thing is that I have signed the painting twice, once in my usual way in the bottom right hand corner, and the other being the symbol of Rowan cut in Ogham on the standing stone. (My name of Ro being short actually for Rowanswood which is my bardic name.) - John Ogden (August 2010) The Druid's Interpretation The story of Bride or Brigid is close to so many people and there is a longing, especially from women today, to return to the balance there once was between men and women. The main story in these parts, and sort of on Beara too, is that all life somehow came from a womb and this once upon a time brought about the reverence of the goddess. The first two trees of the Ogham alphabet seem to guide this with Beith the Birch being the first life on earth and eventually the protector of women, and Luis the Rowan being the dragon's fire in all men who would burn rowan to bring the spirit of the goddess into them. For guidance, confidence, passion,bravery and focus especially when in council for trade, treaties, and sometimes preparation for war. Bride's symbol was the sword, in the story of the creation of the four Celle's of instruction, the first symbol, the symbol of imbolc,the first fire festival of the year, first quadrant of the Chaldean astrology chart. A tree of life, as above, so below. The sword created from fire, extraction of metals from ore, fires that were fuelled by the labours of men. The sword created by virgins, virgins by not yet having child, and not through no having sex, that would once one day be given to their mate. A founding of the tradition of the dowry today. If the male mate was slain and together they had no sons as heirs, the woman would take back the sword to be head of the household until another mate was found. In comes Patrick, a name so close to Patriarch, the incoming of the domination of the male hierarchy. The call to revere the male deity. When the man of the family was slain and there were no heirs; the woman, and any daughters, were the property of the chieftain. To serve as slaves or be appointed new mates, often in treaty.The sword was thrown into the lake or river to be passed on no more. The tradition of Bride, or Brigid, was eventually slain, and the tradition of Patrick took over. It is said that the legendary race of Formori never had women. They were men of the sea who knew how to extract gold and make rings.They would lure the Dannan or other land caring women with rings but for the sole purpose of breeding, not relationships, and any sons born would join the Formori. The legend is that Bride married Bres to try to return to the balance, that may be an example to the Formori, but it was not to be. In your picture this comes across as a woman either by the Formori or the Patriach demands of the ruling male deities ... but nobody could take that sword of balance away from her. It was not going to the lake !!! The standing stone to me is symbolic of the 2nd Cille of Instruction, who Bride is said to have taught Cian, son of Anu. The origin of Salmaine, that became Beltaine. Beltaine, one of the two times of the year the salmon swim up river, the second quadrant of the astrological cycle, the partnership and mating. The finding of the new true mate to pass the sword to. .... and the choice of blessed water to bring back life and fertility to make that possible. Oh, the blindfold? Another legend is that before Beltaine, women would approach the pool of Lasir blindfolded. And then after a blessing with water from the pool, were allowed to take off their blindfolds to have a vision of the man that would be their mate on Beltaine day. Lasir's legends are like Bride, except where Bride and Brigid led a herd of cows; Lasir led a flock of sheep. So when sheep are sheared at Beltaine time, there is a honoury toast to Lasir to ensue another blessed year ahead. Interestingly today, by the pool / well of Lasir ,there is no longer a standing stone, but a tall stump of an Ash tree that was felled there. Also in Lake Meelagh nearby, Bronze and Iron-Age swords have been found, by folks who were looking for the legendary Dagda's cauldron which is said to be in there somewhere. Not legends that are well known away from Co. Silgo, yet have travelled to be made into other stories. Of course , people of Co.Silgo made their own stories from what travellers told them too. Another insight? Dusti Rodes (2010)
Dusti Rodes
2014-03-04 12:00 am
The Lady in Red Inspired by John Ogden's painting ' Be she a Falcon or a Dove ' ( 2009) Puddles of pigment Of red and white, Bloom like flowers in the artist's palette Likened to a small, wild garden. She poses provocatively, Dignified but still self-conscious, Against the wide blue screen That forms the night. Robed in ravishing red, She stands bathed In Lady Luna's soothing light. While the evening star Plays shimmering consort. She did not fail to see The symbolism held Within the artist's eye. The meanings of her life, Captured there before The paint could ever dry. The Venetian mask Behind which she hides, Masquerades the pain of her past, Blood-red. And the golden promise of things to come. Are reflected by the candle's gentle glow. Lighting the way to her future. Marley said we all create Our chains of pain. Forged one link at a time, By our misery. Hers was a string of Pearl. Individual incidences, Joined by circumstance; Seeking to keep her, Forever fettered to the past. But the key lies in the roses. Poetic echoes reverberating . Be she a Falcon or a Dove ? A raven-haired temptress, Or an angel of love? A scarlet woman or a painted Lady? Hence from now onwards, She will be known only, As the Rose. Dusti Rodes (2009)
Dusti Rodes
2014-03-04 12:00 am
Feeding Fish Standing somewhere, Feeding fish. Fairground freaks, Probably won't last Two weeks. A memory span Of less than seven seconds Or so they reckon. Why do they call them goldfish? When one is orange, And the other is brown; Swimming up and down, Around and around; As though their lives Depended on it, As it does. What have we got in common? I ask myself. Standing somewhere, Feeding fish. Fairground freaks, Probably won't last Two weeks. A memory span Of less than seven seconds Or so they reckon. Why do they call them goldfish? When one is orange, The other is brown; Swimming up and down, Around and around; As though their lives Depended on it, As it does. Dusti Rodes (2011)
\/