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Gord

2014-05-29 12:00 am
The rates remain,
In fact,
Let the rape remain,
In tact.
A Genghis plan,
No time for mathematics,
The Queen's virginity remains intact.
The people's impassivity remains fact.
Humanity needs a savior,
The mimicry drains that.
A finality,
For in the end, in synchronicity,
Invincibly the choir sings.
However dismissively,
Lyrically they sing lit matches.
For historically we lived like bastards.

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The Sophist

2014-05-20 12:00 am
"Perchance to make music to move them.
Your music is blandly, boringly, gruesome."

"Your attitude's gruesome. Perchance to make music to sooth 
them of their hideous minds lost in loathsome confusion. Let 
me be eaten by dogs if it means not bowing to the flogs cast 
by unjust retribution. Perchance to be cat's paw; to flog 
yarn worlds strewn loose by melodic volution."

"Your mind's in dilution. All these ideals are depraved 
convolutions."

"My mind's in Confucians. I seek absolution while you seek 
out a stage to pimp tone prostitution. Fucking air pollution 
is what it is, no good contribution in the vast 
distribution of data and discs."

"You're best substitution; you just add trills or a long
resolution."

"I swear I do more than just posture and bull shit with 
forms and techniques, curse your persecution!"

"Curse us. Goodbye, writ of execution!"

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The Sophist

2014-05-10 12:00 am
Education in some countries is just pure sophism,
I decree to stop this,
This writ from the wrists of the Sophist,
The Prophet of Modern Economics decrees fatwas,
I decree a fatwa on stockpiling gross product,
A fatwa on Gucci, Prada, Dolce & Gabanna.
I decree a fatwa on the arms race and the misconduct and
 misappropriated actions committed by the powers meant to
 help us.
Or at least help make shit less like a world of make-shift
 shiffs chaotic,
With less false promises to put less narcotics,
In the streets, our food supplies, and antibiotics,
All these soup lies make me vomit,
World spirit will not die,
But it crawls,
Dragging body behind hands,
Counting months in brief mnemonics.

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The Sophist

2014-04-29 12:00 am
I'd strike out the sun for harming sinews,
This service I'll pay myself as a fine,
Enlarger of kingdom if ever I die,
'queathing my soul for the roar of a lion.

I giveth thee lukewarm blood of a newborn,
God my appetite; I hunger for power.
Shrew Lord of perpetual night liveth nigh,
Covered from danger in half-lighted fog.

Co-sign and write before bloodlines congeal.
Our magic will bring desolation to smog.
Fill the lines afore 'why?' and 'oh sigh'
Flog grace and damnation 'till three parts combine.

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The Sophist

2014-04-11 12:00 am
You stole my fucking stones,
And now I want them back,
I'm exhausted for no reason,
And I doubt,
I doubt your mind's on track.

Where are all your pyramids?
I've never seen a one,
I'm angry all damned season,
And I know,
I know you're still undone.

I'm damn tired for too damn long.
Millennia since pyramids,
Meager wage preventing treason,
And I believe,
I believe conspiracies in myriads.

To stand back and reflect,
Drowsy,
Erect,
Accomplished,
And now we are the Iliads.
Worthless,
Lacking respect,
All shit.

New hands smacking old elect,
Lousy,
Inept,
Unaccomplished,
Yet the common ride on chariots,
Horseless,
Acting intact,
Shit polished.

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Gord

2014-04-03 12:00 am
I find fault at the way we speak.
Common practice happens to be harmful.
Why not cause change?
Because It's not change you seek.
You seek far less than mediocrity;
Practice harder and ply a trade,
Realize what it is to carry an armful;
I find fault at the way kids speak;
The common practices, owning Iphones.
Of their needing to cause change.
Of standing and telling me I'm the cynic.
Standing with less skill than Dionysus;
The propaganda industry only has 50 years;
No readable peer review, judges or pundits.
Industry fooling people into contributions.
No revolution, strictly opaque movement.
True knowledge occult only by emotion elicited.
We just don't need a German Nazi Party revisit.

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Gord

2014-03-14 12:00 am
A virtuoso steps away from the masons of his craft;
He claps and they turn on robotically, 
After lighting up himself;
Lightning cracks,
He cracks up himself,
Robots personify and become addicts;
They releases CD's,
He personifies the 80's,
or the 90's on every single tracks.
8 EP's later he releases the exact same thing out. 

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The Sophist

2014-03-07 12:00 am
Death of Cupid strewn loose,
And the putrid excuse;
Stupidness youthed in the ruin of Use.
Abstracted views abstracting rapid abstract logic,
Abstracted the Truth;
Abstractly vapid and loose.
And so now I live recluse.
I used 'abstract' too much,
And killed Cupid via noose.
I have a pact,
I tattered and abused, 
I packed and hid, scattered in the spruce.
I hate all I come in contact with.
I hate to introduce.
I hate you all like my old friends.
You all act too recluse.

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Gord

2014-03-07 12:00 am
I just happen to be like abstract logic;
Tacked on at the end of powers of ten
To let you know I'll be right back on this;
I just happen to be like you express notation,
A subtle reference to exceptionally large creation;
The closest I'll come to actually seeing the painting;
I happen to be like two celibate arrows connecting;
The inner sex shun.
Like two chaste fates elope and create one.

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The Sophist

2014-03-07 12:00 am
Bueller, Bueller, Bueller
Pews faced to view the fooler
Tools taken from the tooler
Put online to try and school her

Austerity, Austerity, Austere
A cry that no-one cares to
Words with fares to blare through
Worlds unfair to tear through

Heaven, Heaven, Above
A thought I think the world of
If nothing comes from nothing
What are acts of love?

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Dusti Rodes

2014-03-05 12:00 am
A Day in the Life


I Morning

Up early for a Sunday
The clock says eight
But even that's late
For what we have to do
And where we've got to be

Breakfast hastily eaten
A schedule that has to be beaten
The taxi comes just on time
The clock strikes the half nine
The train will leave at ten
So we have to be there then


II In a railway waiting room

People sitting
Waiting for the train
Some just there
To get out of the rain
The sun is starting
To shine now
Making the outlook
Better somehow

The fire
Glows brightly
Offering security
In its warmth
There must be a hike
Somewhere
By the amount of people
Going there
Dressed in their anoraks
And their boots
A passing express
Gives warning toots

Waiting for the train
To friends
Still far to go
Before our journey ends
Although having already
Come this far
Still there are miles
To be travelled
By car
Sitting patiently, waiting
For the train
Marking time
To the pouring rain


III A ride through the countryside

At our destination
We are met
Commiserations
Hoping we did not get
Too wet

Outside the station
They had parked the car
Comfortable seats
Our journey
Not to mar

We are off
Through the countryside
Making quite a pleasant ride
Of our quest
To the coast
Never really deciding
Which we prefer the most

Ever onwards
We are drawn
Towards the outskirts
Of Eastbourne


IV Eastbourne

Eating eggs
Hard boiled
Liver sausage sandwiches
Cheese and ham
Fried sausages
Oranges too
What a sight
For people to view

Throwing stones
Into the sea
Stopping to watch
The tide roll in
Then a walk
Along the pier
Perhaps to stop
For a cool glass of beer

Buying ornaments
Made of glass
Playing the games
That made us laugh
Throwing balls
Into walls
Listening to the radio
In the warm

Then on again
It was said
Towards the crags
Of Beachy Head


V Beachy Head 

Climbing up
To the Bell Tower
Pausing to view
A lonely flower
The long climb
Winding a few
The breathlessness
Well worth the view

On looking out to the sea
So calm
One could scarce believe
It could do so much harm
Then suddenly
The gunshots
Warning us of the coming rain
So we quickly make our descent again

The rabbit droppings
In the tufted grass
Is the sight
I remember last
The gulls wheeling
On the wind
Showing aerial acrobatics
That Man will take
A thousand years
To conquer


VI Newhaven

When the tide
Is full in
It is a facade
To walk along
The esplanade
At Newhaven

For the angry waves
Batter the man-made wall
Persistently trying
To make it fall
Spraying
Unwary travellers
With showers of stones
And the flying
Sea spray
That rusts
Even the lamp posts
Within a month

The road to the west
This is our quest
Pass the ox-bow lake
On the river
That meanders
Through the open fields
Filled with
Sweet smelling air

The road takes us
Past the harbour
Where, the ' Chichester Star '
Lies anchored there
Moored at her rest


VII Brighton

The Palace Pier
On a Sunday
Even in March
Full of people
Having fun

Some lie on the beach
Catching the sun
That hides
Behind the clouds
Of the rain-filled sky

But here we do not stay
Perhaps I'll return
Some other day
The time has come
Not to linger
Drawn ever onwards
By a wandering singer

Dressed in sandals
And in jeans
Singing songs of the
Changing scenes
Sentiments felt
By myself
He did quote.
He sang,
Whilst I wrote


VIII Shoreham

Dark, dank and dismal
Grey and grim
Stands the power station

The side, the day-tripper
Does not see
The squalid surroundings
Of the industrial side
Where the rubber factory
Takes the coke works
For its bride

There, beside a mountain
Of metal scrap
Stands a fellow
In a cloth cap
Surrounded by
Carcasses of cars
Burnt out
By long cold fires

Wasteland covered
With prickly briars
Rubble strewn around
Sweet papers, magazines
Stones cover the ground

The road carries on
Pass the gasworks
To playing fields
Where people sit watching
Others using their energy
To a useless end

A steel girdered bridge
Spans the road
Along by which
The river still flowed


IX Worthing

Having high tea
In the lounge
Sardines, rolls
Tea and toast
Watching the sea
Leave the coast

Playing the pin machines
With pennies
Reading the paper
To find the news
Desperately needing
To use the loos

Off on our trek again
Running from the
Fast oncoming rain


X Half a league .....

Destination somewhere
In the west
Selsey, probably
At the very best

Time, like the tide
Rolling on
Light of day
Has nigh nearly gone

The lights burning
Along the road
Turn from the palest pink
To shimmering gold

Eve draws on
Darkness, soon to follow
A level-crossing
That isn't so level
In fact, the road
Looks like more of a bevel

The road becomes
Winding and long
Making us remember
The young minstrel's song

Following the line
Of cat's eyes
Broken only
By the sound of sighs

A solitary star
Guiding us, as of old
The weather becoming
Increasingly cold

The long boring night
Is broken
By the bright lights
Of the big service station
At Crawley

Say as they might
To me, the most welcoming sight
Was that of The Thorns pud
At Horley

Liquid refreshments
For parched dry throats
Although there was nowhere
To hang our coats

Having once
Quenched our thirsts
The road leads on
To Billinghurst

Then on down
Cowper's Lane
Just as it starts
Again to rain

In the comfortable warmth
Of her home
We are again
Free to roam

Tea for three
And one for coffee
Arguing who'll get to eat
The very last toffee

Onwards then,
Homeward bound
The car really seems
To leave the ground

Till the lights of Croydon
Are encountered
And as we are at our door
" It was fun, we must do it more!"

The two of us
Climb the stairs
Once again
To all our cares

Very quietly
Into bed
Nothing more
It has all been said.


Dusti Rodes (1975)

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Dusti Rodes

2014-03-05 12:00 am
' Act of Faith '
 The Weaving of the Web

 The Poet's Perception

 Caladbolg

 One Sword.
 Taking two hands to wield.
 Rainbow ruler of all others.
 Smiter of mountains and of hills.
 Made with molten faerie gold.
 Fashioned on the forge
 Of Fir Bolg giant, Balor of the Evil Eye,
 Defeated at Moytura,
 By the wiles of Tuatha de Dannan
 Magical warriors.
 In reprisal for the death of
 Lu of the Longhand,
 Son of their King.

 ' By this Sign, so shall you know me! '

 "Remember this, Sire,
 And use the information well;
 For they plan to kill my Liege"

 So spoke the Lady of the Lake.

 " 'Twas the Vessel with the Pestle,
 That bore the potion that was Poison.
 And it was the Flagon emblazoned with his Dragon,
 They did fill with the brew that is True.

 But the serving-wench did slip,
 The platter fell to the floor
 And did crash on the flagstones there.
 The Vessel with the Pestle was smashed.
 Shattered into a thousand shards.

 Now the Flagon with the Dragon,
 Contains the potion that is Poison;
 And the Crystal Chalice,
 That was procured from the Palace
 Holds the brew that be True."

 Act of Faith

 I feel very vulnerable.
 I haven't put this much trust
 In Anyone or Anything,
 For longer than I can remember.
 Only time will tell
 If this act of faith is justified.

 The Artist's Explanation

 I have always been a fan of Arthurian legend, and in the end decided the ultimate act of faith, was the search for the grail.
 I have mixed up lots of ideas within my painting though, here is the official explanation.

 The hill on which she has reached the pinnacle, is Glastonbury Tor, but a thousand years ago the glow of what is now Glastonbury shines below her. In the sky there is the constellation Orion, this symbolises the king of the fairies, Gwyn ap Nudd, who legend has it lived on the Tor before being insulted by St Collumb, and in doing so left the Tor to forever hunt his hounds across the winter sky.

 Instead of the ruined church that is on the Tor now, I thought a small standing stone might suffice, and embedded within the stone in a similar way to the sword Excalibur was embedded in a rock, I have placed a wooden chalice, the moss on the rock and the shamrocks, also give the chalice a bed on which to lay.
 Shamrocks being symbolic not only of Ireland, but also the holy trinity. It is also a trefoil, which is the symbolic of Awen, which is the druid symbol for inspiration.

 On her wrist is a bracelet, which has fallen from the chalice and magically clings to her, the bracelet is silver like the moon with a fleur de lis (another symbol of the grail, and Mary mother of Jesus, coupled with the holy trinity). The lady is wearing nothing more than a simple white jacket and is naked below. She is also blindfolded, and therefore has to accept trust and her faith to protect her from this vulnerable position.
 She has come to the end of her quest and has found her grail, purely by way of faith, and is now tired and weary but still proud and undefeated , she is genuflecting to its wonder.

 The sword has two symbolisms, the first being that it was once broken and has been repaired. (This relates to the story of Galahad, repairing the magical broken sword, from the Fisher King stories, near the end of the grail quest) and the design of the sword I am using is unique in such that it is a copy of the original sword used by the genuine most famous knight in English History, Sir William Marshall.

 The long grass has various dandelion clocks settled within it, one has burst its seeds, sending them cascading across the painting, the dandelion means many things, including flirtatiousness ... 
 However it is also in gypsy lore the symbol of transition and ascendancy from physical to spiritual.

 One last thing is that I have signed the painting twice, once in my usual way in the bottom right hand corner, and the other being the symbol of Rowan cut in Ogham on the standing stone. (My name of Ro being short actually for Rowanswood which is my bardic name.) - John Ogden (August 2010)

 The Druid's Interpretation

 The story of Bride or Brigid is close to so many people and there is a longing, especially from women today, to return to the balance there once was between men and women. The main story in these parts, and sort of on Beara too, is that all life somehow came from a womb and this once upon a time brought about the reverence of the goddess.
 The first two trees of the Ogham alphabet seem to guide this with Beith the Birch being the first life on earth and eventually the protector of women, and Luis the Rowan being the dragon's fire in all men who would burn rowan to bring the spirit of the goddess into them. For guidance, confidence, passion,bravery and focus especially when in council for trade, treaties, and sometimes preparation for war.
 Bride's symbol was the sword, in the story of the creation of the four Celle's of instruction, the first symbol, the symbol of imbolc,the first fire festival of the year, first quadrant of the Chaldean astrology chart. A tree of life, as above, so below.

 The sword created from fire, extraction of metals from ore, fires that were fuelled by the labours of men.

 The sword created by virgins, virgins by not yet having child, and not through no having sex, that would once one day be given to their mate. A founding of the tradition of the dowry today.

 If the male mate was slain and together they had no sons as heirs, the woman would take back the sword to be head of the household until another mate was found.

 In comes Patrick, a name so close to Patriarch, the incoming of the domination of the male hierarchy. The call to revere the male deity.

 When the man of the family was slain and there were no heirs; the woman, and any daughters, were the property of the chieftain. To serve as slaves or be appointed new mates, often in treaty.The sword was thrown into the lake or river to be passed on no more.

 The tradition of Bride, or Brigid, was eventually slain, and the tradition of Patrick took over.

 It is said that the legendary race of Formori never had women. They were men of the sea who knew how to extract gold and make rings.They would lure the Dannan or other land caring women with rings but for the sole purpose of breeding, not relationships, and any sons born would join the Formori.
 The legend is that Bride married Bres to try to return to the balance, that may be an example to the Formori, but it was not to be.

 In your picture this comes across as a woman either by the Formori or the Patriach demands of the ruling male deities ... but nobody could take that sword of balance away from her. It was not going to the lake !!!

 The standing stone to me is symbolic of the 2nd Cille of Instruction, who Bride is said to have taught Cian, son of Anu. The origin of Salmaine, that became Beltaine.
 Beltaine, one of the two times of the year the salmon swim up river, the second quadrant of the astrological cycle, the partnership and mating. The finding of the new true mate to pass the sword to. .... and the choice of blessed water to bring back life and fertility to make that possible.

 Oh, the blindfold?

 Another legend is that before Beltaine, women would approach the pool of Lasir blindfolded. And then after a blessing with water from the pool, were allowed to take off their blindfolds to have a vision of the man that would be their mate on Beltaine day.

 Lasir's legends are like Bride, except where Bride and Brigid led a herd of cows; Lasir led a flock of sheep. So when sheep are sheared at Beltaine time, there is a honoury toast to Lasir to ensue another blessed year ahead.

 Interestingly today, by the pool / well of Lasir ,there is no longer a standing stone, but a tall stump of an Ash tree that was felled there.
 Also in Lake Meelagh nearby, Bronze and Iron-Age swords have been found, by folks who were looking for the legendary Dagda's cauldron which is said to be in there somewhere.

 Not legends that are well known away from Co. Silgo, yet have travelled to be made into other stories. Of course , people of Co.Silgo made their own stories from what travellers told them too.

 Another insight?

 Dusti Rodes (2010)

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Dusti Rodes

2014-03-05 12:00 am
" This next piece of writing, contains strong sexual content material and graphic language. Many people find it both harrowing and disturbing. It depicts and catalogues a series of true-life events. The names have been changed to protect the innocent, of which there is one; the laws of libel prevent my naming and shaming the guilty; of which there are many."

 * Reader discretion is MOST STRONGLY advised - As it may easily offend. For this I make no apologies. Events like these are happening HOURLY all over the world at this moment in time, and society as a whole SHOULD be doing more to prevent such misery "

 ........................................

 " IT CAN'T HAPPEN HERE, .....CAN IT?..."

 It's Sunday,
 She's staying at dad's flat tonight.
 She adores him;
 With the trust that is naturally instilled
 In a child.

 Dave, her father,
 Plays cards with his friends;
 While she watches, smiling.
 The pot is short;
 It's his call.
 He must make amends.
 Forty pounds is the bid.

 With a knowing nod,
 Colin folds his hand;
 And taking hers,
 Leads through the door
 To she knows where.
 The now empty bedroom
 That she sometimes has to share.

 Shush - don't make a noise;
 Your stifled cries,
 Will frighten the toys.
 Who sitting in silence,
 Can only watch.
 As Colin slowly unzips his trousers,
 And loosens his belt another notch.
 Her favourite doll, alone in the corner,
 Draped across the wooden chair;
 Can but bear silent witness
 To the saddening pain
 She experiences there.

 Next day,
 She is driven to school;
 By her dad.
 In a tatty Volvo.
 Be-spotted with rust coloured
 Splodges of primer paint.
 A stark anachronism
 Of Swedish sexual liberalism
 The grubbiness of the grey,
 Mirroring the semen-soiled nightdress;
 Of the night before.
 The paint spots,
 Ghostly echoes
 Of dried blood stains
 Splattered on the white fabric.
 Heralding her lost innocence;
 That she would need to wash out
 Later in the day.
 When she finally returned
 To the living hell
 That served as home.

 He pulls in at the pavement
 Saying yesterday was fun
 And that they should do it more often.
 He tells her to take care of herself.
 Sick joke, what?
 But no-body's laughing anyway.
 Deprived of decency
 By her father
 In that he doesn't even open the door.
 She rises from the well-worn seat
 And gets herself out
 Just like countless
 Whores before.

 In some final bizarre sexual gesture
 As he slowly drives away
 He also discards the now empty
 Crumpled, finished cigarette packet
 Aimlessly through the window
 Into the uncaring street.
 It in its turn, would be picked up
 By some scavenger hard up
 On his or her luck
 Anxious to discover
 If it held any small delight.

 And on discovering not, it would
 Be consigned as worthless rubbish
 And be discarded yet again
 To a life on the streets.
 Until eventually, battered and crushed
 By countless uncompromising souls
 It would cease to be recognisable
 For what it once was.
 Circles within circles.
 Such is the life we lead.

 Four friends, sit
 Sharing girlish giggles.
 Talking tampons and towels.
 Discovering the inward
 Functioning of females
 For the first time.
 Smiles, over sharing
 Secrets of sexuality
 With their mothers.
 But she's not laughing.

 Sitting in the classroom
 She is longing to tell, someone,
 About the happenings
 Of the previous night.
 To be able to unload
 All that crushing fear;
 That is building up
 Within her frightened frame.
 Afraid to go home,
 She hangs around after class
 Anxious to explain her reasons.
 But no-one is listening.
 Nor can they read
 The pleading in her scared eyes.
 So she goes home alone, again.

 Sitting watching television,
 A break from the drudgery
 Of endless days
 Doing household chores.
 Fear strikes her heart
 As she hears the key
 Entering the outside door.

 Because the washing has taken so long
 And about it, she cannot tell;
 The dust she hasn't cleaned
 From the TV
 Only causes her mother again to yell.
 Her anger quickly turns to rage;
 Followed closely by a beating,
 And another verbal tirade.
 Then follows the shouting
 And the slapping.
 The angry name calling
 Infers that someone is a whore.
 Leading to her being pushed downstairs
 And landing on the hall floor.

 She pushes Amy into the cellar cupboard,
 Then callously locks the door.
 Leaving Amy, cowering in huddled fear,
 Upon the dark, coldest floor.
 Later, in her room,
 Curled up, tearful,
 Trying desperately to block out the pain.
 Lies listening to her sad sobbing.
 She closes her eyes.
 Escaping sleep is not easy in coming;
 But further along the hallway,
 Someone else is.
 Urgently calling for Amy
 Beckons her to her mother's bed.
 There, between thrashing thighs,
 And deep moaning sighs,
 Amy is forced to give her mother
 Sexual 'head'.

 Coming home,
 To the usually empty house,
 She cannot help but notice
 The smart car
 Parked outside.
 Putting her key
 In the door,
 As she has done
 So many, many times before;
 She is met by Geoff,
 The new man, in her mother's life.
 On the surface
 He seems very nice.
 Picnics of strawberries, wine
 And chocolate ice.
 And even washing up,
 Afterwards.

 School sports day comes,
 Giving her the chance
 To exercise her rights
 As a child;
 To youthful fun.
 Sack race successes,
 Loud accolades.
 Hiding the depths of depravity,
 That lies dormant.
 Buried deep within.

 It starts with a present,
 At bedtime.
 " Put it on, and come and show us how it looks."
 Simple games,
 Amongst the adult friends.
 Pictures are taken.
 Childish at first,
 It soon turns nasty;
 Leading to lewdness and lechery.
 Removing Geoff's trousers and pants,
 While her mother looks on;
 And laughs.
 Then starts the painful ordeal
 Of nightly rape.
 And the utterances of the threatening lie
 That if she ever dares to tell someone
 It would surely cause her to die,

 After a time,
 She can bear no more
 Of Geoff's disgusting behaviour.
 Goes to her father's workplace
 Hoping on hope
 That he'll prove to be her saviour.
 She tells him all
 That's been going on;
 And could she come to live with him,
 Please?
 Fraught with anger,
 Fired by fear;
 He goes and gives Geoff
 A beating with a garden spade.
 In his frustration at failing
 To protect his daughter
 From this pair of human animals
 With their filthy habits so degrade.
 Then he storms out,
 Leaving Amy to receive
 Yet another beating
 From her mother.
 That leads her to being locked
 In the cupboard
 Once again.
 The broken shard
 Salvaged from the shattered
 Kitchen window
 By which her father had entered
 Proves to be the key
 To successful self mutilation
 To which Amy administers
 Readily.

 When the time comes
 To leave her old school
 The teacher's reports proclaim
 That Amy is both clever and wise.
 But they all still
 Just sit and listen
 While her mother
 Continues to tell
 The same pack of lies.
 How Amy sits reading
 Quietly, in her room,
 For much of the time.
 And how she's always
 Out playing with her friend;
 But that is untrue
 From beginning to end.
 The teacher says Amy could do
 With really coming out of her shell.
 Hopes that she'll enjoy her new school;
 And with that, she wishes her well.

 Sitting with her new found friends,
 Thinking that this place,
 Could indeed be really cool.
 Then one says,
 Someone is trying to greet her,
 From a van.
 Parked outside the school.
 She peers across the open courtyard.
 At her father, who's come to meet her.

 Full of reasons,
 Why he hasn't been more often.
 Excuses that money has been
 So short lately;
 Sometimes he hasn't eaten.
 Now he's come to take her out,
 About the true reason for his motives,
 There still exists more
 Than a little doubt.

 Having bribed her,
 With a Big Mac meal,
 With Coke and a Cadbury's
 Curly Whirly,
 He apologises that he has no more sweets;
 But if only he had more money,
 He could afford to buy her
 Lots of treats.
 Then the unsubtle suggestion,
 That she could really help Daddy,
 Just by working the nearby streets.

 Standing on a dim
 Lamp-lit street;
 In her denim jacket,
 And her flowery
 Short length skirt;
 Wearing virginal white gym socks,
 with matching plimsolls.
 Her long hair , shining,
 Looking very much her age.
 Having only turned thirteen,
 But for a little while.
 People, from which she
 Should get only love;
 Blatantly exploiting her sexual genes.
 Although she cannot spell Paedophile;
 She is painfully aware of what it means.
 " For a wank, charge'em twenty five quid,
 If they want a blow-job, charge them thirty"
 Practising that will corrupt her mind;
 Into believing love and sex,
 Is always something
 That is sordid and dirty.

 A sexperienced competitor,
 In these matters,
 Gives her, and her dad;
 What amounts to a friendly warning.
 This particular spot,
 Is her pitch.
 And her pimp
 Will not be so tame;
 So her father,
 Just moves on with her,
 To somewhere else.
 In his dubious quest
 It would seem he has no shame;
 With his repeated attempts,
 To get ' on the game'.

 The local lorry park,
 Proves a likely playground;
 For the sort of games,
 He has in mind.
 Providing a service,
 For all kinds
 Of men.
 The young, the old, and the lonely.
 Not the actual full sex, though:
 But just your blow and hand-jobs only.
 Making sure that the clients,
 Come in style;
 Being very sure to use a condom,
 All the while.

 He does a deal,
 Just for a full blow-job;
 " You know how, don't you,
 just go and suck his prick;
 It'll be all be over in a minute!"
 But it doesn't just take that quick.

 Squatting,
 She gives a blow-job
 To an unknown,
 Standing man.
 While her poncing pimp
 Of a dad,
 Sits smiling,
 In his grubby little van.

 Suck, suck, sucking,
 On a dirty, crusted,
 Foul-smelling prick,
 That's making her feel
 So, so sick.
 Wondering why it is
 That when you
 Want them to,
 they can never come
 Really quick.

 And when it's finally finished;
 She finds the smell of sweat and semen,
 Has left her feeling
 Really sick.
 Dave, buys her silence,
 With a fiver.
 Then he takes her back home;
 Double quick.

 Dusti Rodes (2009)

 POSTSRIPT TO ' IT CAN'T HAPPEN HERE. .....CAN IT? *

 " Children have the right to be listened to. The messages that they give us are often painful and disturbing, and challenge our capabilities to actually hear what they are in fact saying and take them seriously.
 Our conditioned instinct is to recoil from what we are hearing and deny the reality of what is being said.
 The act of sexual abuse of a child involves a fundamental betrayal of trust, and an abuse of power, which has devastating consequences for the child. Undermining the basic requirements of a child for relationships built on trust, that are both dependable and loving.
 This gives rise to the premise that children not only have to be heard but also need to be healed from the trauma of such experiences.
 The child's right to be respected as an individual person should be unquestionable; but it is a long way from being generally accepted within our society."



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Dusti Rodes

2014-03-04 12:00 am
In fields of Barley 

 If I tried to tell you truthfully
 You probably wouldn't understand
 Just how good it feels right now
 To be trespassing in the fields
 Of the Farmer's fertile land.

 Watchin' the Hawk huntin'
 Field mice, voles and the odd rabbit or two,
 Who in turn are out in the morning sun.
 Foraging for food to keep their families fed.
 Feeding on the filling green ears of barley
 Growing gracefully in a swaying breeze.

 Maybe she'll end up catching
 A dozing dormouse
 Taking forty well-earned winks
 From the furore and frantic frenzy
 Of activity that fills the field.

 Walkin' with my four-legged friend,
 Teachin' him of fetch and catch.
 While all the time, the real lesson is
 Learnin' to like the lead.

Dusti Rodes (2013)

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Dusti Rodes

2014-03-04 12:00 am
From ‘Blowin’ the Blues'

#When a woman gets the blues, she hangs her head and cries, when a man gets the blues, he boards a train and rides ... # (traditional blues song, author unknown)

Down in the Deep South, it can take three days to even SEE a train going through a station. Let alone have one stop there.

I guess his story started on that fateful night back in sixty-three. Someone had just killed Kennedy. John F, that is. He was shot while driving in a motor cavalcade down in Dallas. It sparked off a whole lot of conspiracy theories for decades to come. Even after the death of J.Edgar. Maybe he took the truth to the grave with him! Who knows?
I never really knew him then; I was but a little picca ninny on my momma’s knee, down on the plantation.  Barely finished suckling on her teaties. Papa said he was ‘nothing but a no-good nigre,’ and wouldn’t mount to a pile of beans. Just goes to show how wrong some people can be.

Sometimes Life can deal people a low card.
With him it had thrown away the rest of the pack and was only using a deck of deuces and threes with an occasional four. And it wasn't shuffling them, too well or too often.

He was what the white folk call 'coloured' not 'Black'. A mulatto and an albino one to boot. It was probably down to the unfortunate circumstances of his conception. His mother was 'Red' from Rhode Island. An 'easy lay' or so they say. But that was no good reason for her being gang-raped on the streets of Harlem now, was it?
His startling appearance often provoked a strange reaction in most people. Raised eyebrows, spinal shudder and shoulder shrug of revulsion, or a sharp intake of breath on initial sighting were common.

Standing a shade under seven feet, even with the stooping shoulders and strange way of holding his head slightly forward and lent to the left. Developed from years of attempting to listen with his good ear to what lesser sized folk were trying to tell him. His two hundred and sixty pound plus of bone and sinew barely covered by his leathery weather-wizened skin that had been exposed to the extremes of the elements for far too long. 
Long days of toiling at whatever work he could get. Bitterly cold nights spent in any shelter he could find. There wasn't any fat on that frame. Thirty-seven years of constant shortage of food had seen to that.
Cody Jarrel, cut a vision once seen, that few would forget easily. If ever....

Cody sat slowly drinking the dregs from the bottom of the empty bottles left by paying patrons of the bar.
He shuddered so violently, it wracked his frame to it's very core.
Sheltering on the back-stoop of the Shanty Shack, from the rain that had been incessant in its task of soaking him while he tried to seek some sleep to rest his weary body throughout last night.
It had succeeded, so he let out another shiver that clinked his spine.
Down in the doldrums, yet again, the future was looking real bad for him. And little did he realise it then, but it was going to get even worse before it could get better. Much worse.


Dusti Rodes (2007)

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Dusti Rodes

2014-03-04 12:00 am
In the Wind

The lonely nights. They were the worst part. The long hours spent building the bike. Burning the midnight oil until the cold light of dawn took over the illuminations.
He sat, oil-stained mug in his grease-decked ham of a fist. Java's best, steaming, burning his throat raw with every lug. Was this his thirteenth or fourteenth today? He couldn't remember now. The massive doses of caffeine failing in their allotted task of feigning off fatigue; the accumulated grounds covering the mug bottom in a remnant of Mississippi mud, deep, from down in the Deltas. The first finger and thumb of his free hand were deftly putting the finishing touches to the joint he was rolling. It was a little art he'd picked up during his frequent stays at Her Majesty's Pleasure at various establishments around the country. His makings lay strewn over the old table that served as totem-factotum to his needs. Diner, workbench, even pillow on multiple occasions over recent months. He raised the cigarette to his lips, and with a single action that comes with years of practise, sealed it with his saliva. With it now ensconced in his mouth, he reached for the lighter, lit it, and took a deep toke. The sweet smell permeated his flaring nostrils, while he drew down the smoke deep into his lungs. As he exhaled, his heavy eyelids closed momentarily. The necessary effort required to open them again proving too much in his tired state, he allowed his mind to wander.
Where had it all started? When was it now? Pour quoi? The combination of drugs and fatigue was fast inducing sleep, which only served to confuse the thought processes he was desperately trying to assimilate to no avail it seemed.
The auto-jumble sale in Birmingham, that was it!
That's where he'd first seen the bike, and realised its potential. An ex-WD combo. A 1948 six hundred cc, single cylindered side valve, from the Birmingham Small Arms company. With a camouflage green paint job. 'Distinctive', the vendor had called it. Hardly Milwaukee Iron, but beggars can't be choosers, can they? He'd only paid two hundred quid for the lot. And the seller had thrown in set of front suspension springer forks from a 1949, M20. The 500cc model that the dispatch riders normally used in the wartime. They were standard equipment on both the combination and solo set-ups. And they were chromed already! Save him a fortune that would. He'd altered the rake on the steering to an inch and three quarters over stock. That'll give him that low-rider effect he wanted. Just like Peter Fonda's in the film.


Dusti Rodes (2007)

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Dusti Rodes

2014-03-04 12:00 am
Every Cloud Has a Silver Lining
(From 'Working the Wilderness')

The authorities decision last Fall, to only empty the organic waste bins every two weeks from then on, worked in the Winter when nothing was growing and the temperature was zero or below most of the time.
But the warmer weather has arrived, and now the bins contents such as mown grass cuttings, rotting weeds, chicken carcasses, egg shells, fish heads, tails 'n' scales , animal's entrails and the like, stinks to high heaven.
The bin is teeming with ants and their eggs, absolutely mingin' with maggots, and the air is filled with flies most of the time.
But they say there's a silver lining in every cloud, if only you bother to look for it, don't they?
The bait for my fishing don't cost me anything no more.
In fact I'm even making profit by selling some of the ant eggs, casters and maggots to my neighbours for THEIR fishing needs!


Dusti Rodes (2007)

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Dusti Rodes

2014-03-04 12:00 am
Jist Jammin'

The lights are low.
Smoke is so thick; 
You can just reach out
To take a handful, 
To put in pockets
Of faded denim.

Somewhere, 
Deep in the mist, 
A solitary guitarist sits.
Slouched on a beaten up bar stool.
Strummin' slowly on an acoustic.
Bottle-neck slide wails from the pressure
Of a real bottle.
The gob-iron moans, 
In harmonic reply.

The air is filled, 
With the smell of tired sweat.
Formed by hard labour
Of a day in the field
Or on a hot factory floor.

Bootleg booze, 
Piedmont cigarillos, 
and Cheap cologne.

This is blues, 
At its best.


Dusti Rodes (2007)

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